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Balboa Park lights turning on to honor Americans who have died from COVID-19

Balboa Park lights turning on to honor Americans who have died from COVID-19 KGTV and last updated 2021-01-19 12:25:28-05 SAN DIEGO (KGTV) – The buildings at Balboa Park will light up Tuesday as the City of San Diego remembers those across the U.S. who have died from the coronavirus. Starting at 2:30 p.m., city officials said amber lights will be turned on at the California Tower, San Diego Museum of Art, and the Spreckels Organ Pavilion. The Museum of Us, House of Hospitality, Mingei International Museum, Casa de Balboa, and other locations at Balboa Park will showcase red, white, and blue lights.

Exhibition at Kayne Griffin features a series of small bronze sculptures by Huguette Caland

Exhibition at Kayne Griffin features a series of small bronze sculptures by Huguette Caland The exhibition, titled “Bronzes,” features a series of small bronze sculptures that the artist made in the 1980’s. LOS ANGELES, CA .-Kayne Griffin is presenting a solo exhibition with the artist, Huguette Caland, in the South Gallery exhibition space. Huguette Caland’s work spans different eras and locales yet finds itself intertwined with the Los Angeles art scene. Caland was experimental in her life and her art. Caland’s body of work features many series that reflect an exploratory practice that moves fluidly among styles, mediums, materials, and subject matter.

Aesthetica Magazine - Beyond Appearances

Beyond Appearances Over the summers of 2001 and 2002, Mary Ellen Mark (1940-2015) brought a team of assistants and a large-format Polaroid camera to Twinsburg, Ohio, for the annual Twins Days Festival. The resulting series captures the physical similarity, and subtle differences, of identical twins. Cory Woodall, Assistant Curator at The San Diego Museum of Art (SDMA), explains: “Mark engaged the twins in conversation, getting to know them in the short time they had together during the photoshoot. She worked with them in determining their poses and facial expressions. Some are depicted goofing around, whilst others embrace, or are straight-faced. These choices help to communicate the sitters’ personalities and what image they wanted to represent themselves: light-hearted, loving or self-controlled. Later, after the photoshoots had occurred, Mark conducted phone interviews with the twins to better understand their experiences and attitudes. Snippets from these interviews a

Edwin Binney, 3rd

Image courtesy of the Harvard Theatre Collection Few realize that the sale of Binney & Smith Crayola crayons, those staples of so many childhoods, helped fund one of the largest physical donations of art in the history of Houghton Library’s Harvard Theatre Collection (HTC). The 1986 bequest of 10,000 dance prints from Edwin Binney, 3rd, ’46, Ph.D. ’61, who became the HTC’s honorary curator of ballet, contributed significantly to its becoming one of the largest and most prominent performing-arts collections in the world. The Binney family fortunes began with an English immigrant, Joseph Walker Binney, founder of a chemical plant that specialized in the red oxide pigment used to paint barns. His son Edwin Binney Sr. and a cousin, C. Harold Smith, co-founded Binney & Smith, creating the first dustless white blackboard chalk in 1902 and producing the first box of Crayola crayons in 1903. That portmanteau name combines

Essential Arts newsletter: The Beethoven effect in music and art

Hello, I’m Times music critic Mark Swed, this week giving our irreplaceable Carolina A. Miranda a break before Christmas as we keep arts essential. I’m here just in time to point out that this week our most essential composer, Ludwig van Beethoven unless you care to call him Louis van Beethoven, as a new German biopic does marks what would have been his 250th birthday. So Beethoven is where we’ll start. A sculpture of Beethoven in Kamp-Lintfort, Germany. (Martin Meissner / Associated Press) Music for our times In his review of the German TV film, Times contributor Robert Abele found it “elegantly tailored” but “never exactly stirring,” which sounds more Louis-like than the Ludwig we all know. I haven’t seen it because I’ve been too busy trying to catch up with all the other things Beethoven. It’s been a full plate. But then, the Beethoven plate is always full. No matter where you are, no matter what you listen to, Beethoven molecules might be in the e

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