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Taking Shape at McMullen Museum

Taking Shape at the McMullen Museum A groundbreaking exhibition of abstract art from the Arab world in an exclusive New England showing To Monet, Giverny by Abdallah Benanteur (Mostaganem, Algeria, 1931–Ivry-sur-Seine, France, 2017); oil on canvas, 1983. The McMullen Museum of Art at Boston College will present the exclusive New England exhibition of Taking Shape: Abstraction from the Arab World, 1950s–1980s, a groundbreaking exhibition drawn from the collection of the Barjeel Art Foundation based in Sharjah, United Arab Emirates. The exhibition is open to the public for virtual view through June 6, 2021, and for view in the Daley Family and Monan Galleries to Boston College faculty, staff, and students  by appointment.

Barbara Rose (1936–2020) - Artforum International

Barbara Rose, 1981. Photo: © Timothy Greenfield-Sanders. December 27, 2020 at 6:22pm Art critic and historian Barbara Rose who helped define the major art movements of the latter half of the twentieth century, and who consistently defended the medium of painting against reports of its obsolescence died on Friday at age eighty-four from cancer. Distinguished by a perspicacity and openness in exploring postwar art and its contradictions, Rose’s prolific writing and interviews form a key contribution to the art history of the United States and beyond. After coming to prominence in 1965 with a landmark essay in Art in America titled “ABC Art” which began to codify what would eventually be known as Minimalism, but whose influence its author would come to dismiss Rose spent the next fifty years as a reviewer and contributing editor for publications including

Art Critic Barbara Rose, a Champion of Minimalism Whose Writings Crystallized Decades of Creativity, Has Died at 84

The critic was known for linking artistic tendencies that few other writers intuited. December 28, 2020 Frank Stella, his wife Barbara Rose, Larry Poons, Lucinda Childs, Wilder Green, Barnett Newman and William Rubin, in Rubin s apartment, surrounded by artwork by Hans Hoffman, Adolph Gottlieb, Willem de Kooning, Andre Masson, Herbert Ferber, Mark Rothko, Robert Motherwell, Clyfford Still, and David Smith. (Photo by William Grigsby/Condé Nast via Getty Images) Barbara Rose, the fierce but flexible critic best known for helping to usher in the new vanguard of Minimalism in the 1960s, died on Friday in Concord, New Hampshire. She was 84. Rose, who was diagnosed with breast cancer a decade ago, made her first major imprint with the 1965 

New Barjeel display promotes parity with equal split of artworks by men and women

Al Qassemi, who runs the Barjeel Art Foundation in Sharjah, pledged to make his collection of modern and contemporary Arab art representative of both male and female artists. He acquired a greater number of works by women artists, and then applied these changes to the display of the collection, which is on long-term loan to the Sharjah Art Museum. Titled A Century in Flux: Highlights from the Barjeel Art Foundation: Chapter II, the show now finishes its first year of gender parity – but the decision remains controversial. What happens when, instead of working towards an equal representation of men and women through incremental change, you leapfrog to its realisation?

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