The Public Theater announced today the New York premiere of A THOUSAND WAYS (PART TWO): AN ENCOUNTER, inviting audiences to take part-in-person-in the continuation of this acclaimed work from 600 HIGHWAYMEN (Abigail Browde and Michael Silverstone). While the first part engaged two remote participants-often thousands of miles apart-in an automated hour-long phone call, PART TWO: AN ENCOUNTER brings together new pairs of strangers to share physical space in the creation of a private piece of theater. Seated in an empty room, at opposite ends of a table, and separated by a pane of plexiglass, participants follow prompts on a set of notecards, venturing together into cinematically vivid bouts of imagination. The experience invites us to reconsider, in real time, what we think we know about a person-including ourselves-at a moment when virtual interactions have flattened our co-existences. A THOUSAND WAYS (PART TWO): AN ENCOUNTER will take place in several locations at The Public Theater,
Location: Singapore
Impact statement: Shaking up Singaporean poetry with an uncompromising attitude and a no holds barred approach
Poet Marylyn Tan is breaking down all sorts of barriers in Singapore’s literary scene. The first woman to win the Singapore Literature Prize for English poetry in its 28 year history, she is known for her iconoclastic, witty, outspoken take on subjects including gender politics, and consistently shows a willingness to take on taboo subjects, many of them sexual and religious. A former stand-up comic, she is also the founder of arts collective Dis/Content.
Photo: Jessica Chou for Tatler Hong Kong
Location: Singapore
Impact statement: Shaking up Singaporean poetry with an uncompromising attitude and a no holds barred approach
Poet Marylyn Tan is breaking down all sorts of barriers in Singapore’s literary scene. The first woman to win the Singapore Literature Prize for English poetry in its 28 year history, she is known for her iconoclastic, witty, outspoken take on subjects including gender politics, and consistently shows a willingness to take on taboo subjects, many of them sexual and religious. A former stand-up comic, she is also the founder of arts collective Dis/Content.
Photo: Jessica Chou for Tatler Hong Kong