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Tamil director Mari Selvaraj’s new movie Karnan explores assertion at many levels. It’s the story of inversion, of the upturning of deeply entrenched power blocs, of battles both visible and invisible. Selvaraj’s second film after Pariyerum Perumal (2018) was released in cinemas on April 9. On May 14, the Dhanush-led movie was streamed on Amazon Prime Video, leading to appreciation and curiosity from non-Tamil viewers. Karnan is set in a village in the fertile Tirunelveli belt in southern Tamil Nadu, where systemic caste-based cruelty festers but resistance lives amidst the fields and the greenery. The lower-caste village needs a bus stand, which will ensure access to healthcare and education and provide an end to isolation. The bus stand means the difference between dependence and agency, which is why the upper castes do everything in their power to block its construction.

Tamil naduSivaji ganesanManjanathi puranamSantosh narayananKattu pechiKanda vara sollungaYaman lalSelvaraj karnanMari selvarajPariyerum perumalAmazon prime videoYeama rajaFilm and tvMari selvarajSanthosh narayananAmil cinema