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Venice Biennale 2018: Collateral Events Announced

Copy The Venice Biennale has released a list of 13 Collateral Events that will take place alongside the 16th International Architecture Exhibition, FREESPACE, curated by Yvonne Farrell and Shelley McNamara and chaired by Paolo Baratta. Previews of the main event begin May 24th and 25th, with the exhibition open to the public from May 26th to November 25th, 2018. The collateral events, each promoted by a non-profit sponsor, will take place across the city in an attempt to enrich the diversity of voices that characterize the Biennale.  The complete list of events can be found below, and make sure to follow ArchDaily s complete coverage of the Venice Biennale.

Ke ba kahara s conceptual performance Fayedabad To-Let impresses

Ke ba kahara s conceptual performance ‘Fayedabad To-Let’ impresses Photo: Rasel Chowdhury Ke ba kahara , a diverse and self-organised group of volunteer-researchers, arranged an exhibition titled Fayedabad To-Let , recently. It was supported by Pro Helvetia Swiss Arts Council in the capital.   The exhibition, presented by Bangladeshi-Australian artist Omar Chowdhury, presented a work of conceptual performance that explored the modernist ideas, activated in society and architecture, from a Bangladesh perspective. The exhibition was organised in accordance with the public health safety guidelines for the ongoing global pandemic.   There is a strain of melancholia that has coursed through the history of modernist architecture and art in Bangladesh that has always intrigued me, shares Omar Chowdhury. The political and cultural implications of importing these processes and aesthetics has been fraught, to say the least. Yet there is a heart-breaking nostalgia and desire there

A virtual series by Attakkalari Centre for Movement Arts reimagines dance for the online medium

A virtual series by Attakkalari Centre for Movement Arts reimagines dance for the online medium Updated: Updated: December 17, 2020 17:33 IST Through a series of virtual performances and conversations, Attakkalari Centre for Movement Arts adapts movement and dance to the online medium Share Article A performance that was part of Spaarkk 2020   | Photo Credit: special arrangement Through a series of virtual performances and conversations, Attakkalari Centre for Movement Arts adapts movement and dance to the online medium “When we started out, we were perplexed. We didn’t know how to go about it. We went into kind of an emergency mode,” admits movement artiste and artistic director of Attakkalari Movement Arts, Jayachandran Palazhy. The pandemic that put a stop to performances all at once, had a debilitating effect on the movement arts community: “In dance or movement there has to be a physical presence, and touch is very important,” Jayachandran explains. For Att

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