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There is an incantatory quality to Nona Fernández’s The Twilight Zone, a feeling of walking, as though under a spell, and then accidentally tripping into the murky unknown. Translated from the Spanish by Natasha Wimmer, the novel traces the reverberations of Pinochet’s dictatorship throughout Chilean life from the eighties to the present day, using pop culture in particular the television series The Twilight Zone, though Ghostbusters, Billy Joel, and the Avengers movies are also invoked as a jumping-off point. This is a brilliant move: when reality features frequent disappearances, torture, and televised interviews with the military members who committed these atrocities, it becomes its own kind of dark fiction. “I wonder how we’ll tell ourselves the story of our times,” the narrator thinks at one point. “Who we’ll leave out of the Nice Zones in the story. Who we’ll entrust with control and curatorship.”

New yorkUnited statesNew yorkerDan arnNatalie diazMira braneckSergio lopez islaNaz riahiBilly joelHasan altafChristopher notarnicolaIris murdochNona fernaNatasha wimmerLauren kaneNona fern