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“So lacking in originality that if you stripped away its inspirations there would be precious little left,” declared the LA Times. “An unsophisticated sci-fi drama that takes itself all too seriously,” agreed Variety. This cautionary parable of a defective society emerging from the nuclear wreckage of a third world war also left the New York Times unmoved: “A movie that could be stupider only if it were longer.” To dismiss Equilibrium as unoriginal, self-serious or stupid is to overlook a deceptively rich text made with the skimpiest of budgets. It may borrow wholesale from some dystopian golden oldies – Libria is a boilerplate Big Brother surveillance state with heavy Fahrenheit 451 overtones – but it still brings something to the party that Orwell and Bradbury do not: the mesmerising martial art of “gun kata”.

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