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The Romaniacs
On this week’s episode of Out and About, Jenn Gordon talks with Maestro George Stelluto and John Miller, the lead guitarist of The Romaniacs, about the Peoria Symphony Orchestra’s annual Romance concert airing Saturday, February 13 on WTVP World 47.3. You’ll hear about the influence of Roma culture and Gypsy Jazz music on the Paris Jazz scene in the 1930s, and how Django Reinhardt’s musical stylings continue to influence musicians and musical genres around the world.
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ParisFrance-generalFranceRomaLazioItalyJohn-millerDjango-reinhardtGeorge-stellutoJenn-gordonMaestro-george-stellutoAbout this Event
9pm on the dot!
Booked tickets are held for 10 minutes only.
First in best seated. There are only 35 seats inside and seats available on the patio as well in the courtyard.
Thanks for understanding.
Peter Baylor
A PROFESSIONAL MUSICIAN SINCE 1980, PETER BAYLOR HAS PLAYED WITH COUNTLESS BANDS IN VARIOUS STYLES IN MELBOURNE AND SYDNEY. WITH HIS ECLECTIC GUITAR AND VOCAL STYLE HE MOVES EFFORTLESSLY FROM JAZZ AND SWING TO BLUES, ROCKABILLY AND COUNTRY STYLES . IN RECENT YEARS HE’S TOURED AUSTRALIA, THE USA, EUROPE AND JAPAN WITH A VARIETY OF GROUPS INCLUDING DOUG PARKINSON, DEKE DICKERSON,THE DANCE HALL RACKETEERS,DALE WATSON,TOM BAKER,FLACO JIMENEZ, RONNIE DAWSON, MIC CONWAY'S WHOOPEE BAND, BLUE DRAG, GEORGE WASHINGMACHINE AND JULIE O'HARA,THE BAYLOR BROTHERS PLUS MANY MORE. IN ADDITION TO HIS MUSICAL TALENTS, PETER PLAYED THE LEGENDARY GUITARIST SCOTTY MOORE IN THE 1994 SYDNEY PRODUCTION OF "ELVIS, THE MUSICAL". HE HAS SUPPORTED BOB DYLAN, ROBERT PLANT, HANK MARVIN, THE STRAY CATS, TAV FALCO, ROSIE FLORES,BIG SANDY AND HIS FLYRITE BOYS, MARK O'CONNOR AND DAN CRARY OVER THE YEARS AND MORE RECENTLY MIKE COMPTON. WWW.PETERBAYLOR.COM
ConwaysNorthern-territoryAustraliaLa-mauvaisePoitou-charentesFranceUnited-statesMelbourneVictoriaParisFrance-generalFrenchOn Stage—2019 Highlights
Join “On Stage” producer and host Susan Gatschet on
Saturday, January 30, at 10 pm for an archive broadcast of 2019 highlights of performances from the Phyllis A. Greer Performance Studio
FreeBear, led by Patrick McDevitt and Alejandro Castaño alongside a rotating cast of Denver’s most stellar young musicians, FreeBear delivers airtight grooves that exude a cool, irresistible funk. It’s jazz, funk, reggae, salsa and more all rolled into a good old-fashioned dance party.
Guitarist Joscho Stephan, of German decent and is a modern Gypsy Jazz guitarist known for being a blinding virtuoso. Joscho performed with Aaron Walker – Guitar, Claude Sim – Violin, and Gary Sloan – Bass.
GermanyDenver-school-of-the-artsColoradoUnited-statesDenverGermanDave-hammondGary-sloanClaude-simAaron-walkerAlejandro-castaPatrick-mcdevittWilliams says he wanted Trickster Carousel songs to have both depth and naughtiness. On the quintet’s new album,
Snake Oil, available for purchase on the band's website, iTunes and Apple Music, Williams explores ideas he wrote about in
The Trickster Brain. Take the upbeat foot-tapping swing cut “Cradle to the Grave,” a humorous song about death and evolution that sounds like Tom Waits sitting in with the Squirrel Nut Zippers.
“Evolution never meant to make us happy,” Williams says. "Happiness is not something that evolution gives a shit about. It's just survival and getting your chance for the future. I took that and made a kind of a funny song, but it just so happened that right after I wrote that song, the whole COVID thing came out, so it was kind of apropos. It’s not so much making light of it, but just kind of poking fun at death, kind of sticking your finger at it, saying ‘Fuck you.’”
BoulderColoradoUnited-statesDenverKenneth-jethro-burnsChanning-lynnDjango-reinhardtAshlynn-manningStephen-van-balgooyanTom-waitsDuane-websterJon-solomonThe Jazz River—The Music of Spain and Portugal Share
The music unique to Portugal is called Fado. The word itself means fate or destiny, and its history, going several hundred years evokes deep passion. Often a mournful lament, an expression of the soul’s stirring and longing, it also was a type of music that allowed women singers to take center stage and become superstars and legends in their homeland. Fado is full of tenderness and exquisite passion.
The origins of Flamenco are much older, dating back to India, North Africa and the migration of gypsies. The Jazz River has explored the roots of Flamenco in earlier programs of Gypsy Jazz and Duende. Flamenco is also as much a dance as a music and as such is best experienced in person. The percussion of boots on hardwood in rhythm to the omnipresent guitars evokes its own passions of the heart. Both have inspired other forms of music. Fado has had an influence on Choros out of Brazil and Flamenco has impacted the world of Tango. Flamenco connects the body to the sounds and stirs a deep movement of the heart.
PortugalIndiaSpainBrazilNorth-africaJazz-riverGypsy-jazzOasis-onlinee-newsletterபோர்சுகல்இந்தியாஸ்பெயின்