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FOR A BOOKLET published on the occasion of the third Hairy Who exhibition in Chicago, in 1968, Karl Wirsum drew a woman whose head has been replaced by a mandala—not a groovy meditative symbol but a pulsating, agitated, electrified pattern vibrating in red, blue, yellow, and green. This must have been what the inside of Wirsum’s mind looked like: protean and always switched on. For sixty years—from his graduation from the School of the Art Institute of Chicago in 1961, through his association with the Hairy Who in the mid to late ’60s, and right up to his death on May 6—Wirsum produced a legion
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The Chicago-born artist Karl Wirsum, a member of the legendary Hairy Who art group, died on 6 May, aged 81. Spending most of his career in the Windy City, Wirsum became a beloved artist and professor of painting and drawing at the School of the Art Institute in Chicago, as evidenced by the outpouring of appreciation on social media from scores of former students and fans. “Karl was an artist of major consequence,” says James Rondeau, the president and director of the Art Institute of Chicago. “His visionary, imaginative, utterly original take on figuration both epitomized a Chicago school and registered in a national and international consciousness.”
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Karl Wirsum first began drawing when he was 5 and stuck for weeks in a hospital room, recovering from a fractured skull.
And he never stopped — not even after he’d had several strokes and could barely move his hand.
“Even if it was just wiggly marks and circles and little angles on paper,” said his wife of 53 years, Lorri Gunn Wirsum. “He did it every day. He looked out our back window at an apple tree, and all through the winter with the tree skeletal, he just would draw the branches – his version of it.”
Mr. Wirsum – who gained fame locally and nationally during the 1960s for his witty, entirely original and meticulous exploration of the human form – died Thursday at Illinois Masonic Medical Center in Lake View, his wife said. He was 81. He’d lived almost all of his life in the city.
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Alphonse Mucha (Czech, 1860â1939) Woman with Flowering Branches, 1920, oil on canvas, signed Mucha and dated (lower right) 30 ¼ x 25 ¼ inches. Property from the Estate of Avis Hope Truska, Scottsdale, Arizona. Estimate: $60,000 - $80,000. Price Realized: $456,500.
Hindman
Hindman Auctions presented its spring Fine Art sales this week, realizing more than $7.4 million across three days of sales, beating presale estimates, and setting global auction records. A renowned selection and competitive international bidding brought fantastic results. Strong engagement with works by artists such as Alphonse Mucha, Edward Willis Redfield, Jim Nutt, Bernard Frize, Andy Warhol, Ellsworth Kelly, and Frank Stella drove remarkable prices to conclude a successful series of auctions. Property from the Collection of Noel and Kathryn Dickinson Wadsworth (Atlanta, Georgia), the Estate of Avis Hope Truska (Scottsdale, Arizona), the Miriam B. Swanson Trust (Chicago, Illinois), and the Collection of Ms. Mavis Staples (Chicago, Illinois), among others, all saw outstanding results.
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William T. Wiley, a beloved Bay Area artist and teacher and one of the founders of the Funk Art movement—which included Peter Saul, Robert Arneson, Ed Kienholz, Bruce Conner, Jim Nutt and others—has died, aged 83. His son Ethan Wiley confirmed to
that Wiley died from complications related to Parkinson’s disease, which the artist had lived with since 2014.
Wiley was born in Bedford, Indiana, in 1937. His father was a construction foreman who frequently moved the family around the country, and they ultimately settled in Washington State. In 1960 Wiley graduated from the California School of Fine Arts (now known as the San Francisco Art Institute), with a bachelor of fine arts degree and in 1962 earned his master of fine arts from the same institution.
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