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The Banishing in terms of how it looks at history. I’m curious about how the film came about. What was your process for developing those central themes of religious suppression and fascism? I read a script, probably about three years ago, which was written as more of a kind of Woman in Black, bigger budget movie, with a lot more traditional jump scares and so on and so forth. And as we developed it, I was very keen on the idea that it was set in 1936 and I thought it was important that we talk about the rise of fascism. There’s obviously many parallels between that period and what’s happening now, and I just wanted to dig into that, really. And that was completely not in the original, any of the sense of a gathering storm. It all kind of grew from there, really – the idea of a vicar’s wife who is looked down upon simply because she has a past. I always look at that period, certainly in this country, as being like America in the 50s. And then when you talk about this w

Republic ofUnited statesUnited kingdomSouth australiaMarianne jessica brown findlaySean harrisAnya mckenna bruceDavid betonJack nicholsonLinus john heffernanChris smithHarry reedRay bogdanovichJessica brown findlayJohn heffernanBorley rectory