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Yola: Stand for Myself review – retro country soul with bite

By rights, Yola should be trumpeted as one of the UK’s hottest exports. Her 2019 debut Walk Through Fire was nominated for four Grammys; she plays Sister Rosetta Tharpe in Baz Luhrmann’s forthcoming Elvis biopic. But this Brighton singer, born Yolanda Quartey, has gone native in Nashville, pairing her elastic, retro voice with a vintage, soulful roll of the kind favoured by Black Keys’ Dan Auerbach, who returns as producer here. Stand for Myself remains attuned to these country-soul stylings, but the full ingredients list is long: old-timey doo-wop on Great Divide, Brandi Carlile backing vocals, plus subtle British inflections – really, Yola and Michael Kiwanuka need to talk. Laid atop these comforting sounds are bang up-to-date themes. Diamond Studded Shoes bristles at economic inequity. “Isolated, we hold in our fears,” she sings on the languorous Barely Alive.

After Two Decades in Music, Yola Expands Her Powers

After Two Decades in Music, Yola Expands Her Powers
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Yola Does It Again

Yola Does It Again
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The Black Keys Announce Three-City World Tour

The Black Keys will play a pair of 2,000-capacity rooms (Athens’ Classic Center, St. Petersburg’s Jannus Live) and a 1,000-capacity hall (Oxford’s Lyric). The three shows lead up to the group’s headlining appearance at the 2021 Pilgrimage Festival outside Nashville the weekend of September 25th and 26th (see tickets here). The “World Tour” gigs will lean on the Keys’ latest album, Delta Kream, a collection of Hill Country blues covers by Junior Kimbrough and R.L. Burnside. “They were so pivotal in our careers, Pat and I. It’s what brought us together. It was the concentric circle, where on the outside, he and I liked totally different things, but in the middle it was Junior and R.L. We could drive down the highway all night and listen to them. It was just endless inspiration for us,” Auerbach told

Dr John s Estate Has Not Authorized Dan Auerbach-Directed Documentary

Dr John s Estate Has Not Authorized Dan Auerbach-Directed Documentary
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