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Дебютний бій українця в UFC перенесений - новини Еспресо TV

Дебютний бій українця в UFC перенесений - новини Еспресо TV
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The Ethical Commitment to Be a Punk

Punks at the Georgetown Roy Rogers fast-food restaurant in Washington, D.C., 1985. (Photo by Bettmann / Getty Images) There are some people those of a certain age and a certain disposition, mostly middle class and white, often male who will always remember just where they were when they heard the news. I was working as a bike messenger in San Francisco that spring day in 1994, and I can still recall locking up outside City Hall, getting ready to make a court filing, when the boss came on the two-way radio and blurted it out. “It’s all over,” he said, delivering the grim news with an air of barely restrained, mordant self-satisfaction. “Kurt Cobain killed himself, put a shotgun in his mouth.” 

Return to the Gay Underground

Share: Dennis Cooper became famous in the 1980s for his transgressive fiction about marginalized men. A new biography makes a case for what his works can offer readers now, in our era of deep suffering and infuriating indifference. Wrong: A Critical Biography of Dennis Cooper Diarmuid Hester The idea of a transgressive writer is a bit hard to fathom in the current moment, but that’s precisely what Dennis Cooper was. In the 1980s and ’90s, he rose to counterculture fame with his brilliant, dark novels about gay teens, gay psychopaths, gay drug addicts, and gay sex workers. This earned him comparisons to both Bret Easton Ellis and schlock horror writer Poppy Z. Brite, which indicates something of the challenge readers had categorizing his work.

In the Chilling Shadows of a Biennial Yet to Be Seen

Featured in In the Chilling Shadows of a Biennial Yet to Be Seen ‘Made in L.A. 2020: a version’, slated to open in 2021, exposes the horrors of American life pre-pandemic Before entering the long-delayed (and now revised) ‘Made in L.A. 2020: a version’, I pitied its poor curators, whose exhibition has been kyboshed by a succession of lockdowns. Originally scheduled to open in June, the biennial – split this year between the Hammer Museum and the Huntington Library, Art Museum and Botanical Gardens in San Marino – has lain partly dormant, partly unfinished. With (almost) all works installed, museum leaders allowed in a few members of the press, who, they hoped, might grant ‘Made in L.A. 2020’ a little exposure to daylight. (The biennial is currently expected to open to the public next year.)

Empty Stocking Fund, Dec 13, 2020

Empty Stocking Fund, Dec 13, 2020
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