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Augustin Hadelich. Photo: Luca Valentina It takes a lot more fortitude to pull off the Sibelius Violin Concerto in concert than on record. I admired Augustin Hadelich’s 2014 recording for its detail, cleanliness of tone and cool emotional insight. His performance in Copenhagen with the Danish National Symphony Orchestra was similarly prepared – scrupulous in its following of the composer’s tempo markings – but lacked the power and lyricism needed at climactic moments. Unperturbed by a consistent whining noise that invaded the DR Concert Hall, Hadelich found an intriguing way to convey a sense of building stamina in the slow movement, using articulation rather than heft and volume. For once, the piece was taken at a true Adagio di molto by conductor Manfred Honeck. That sort of narrative articulation was a little less forthcoming in the finale, on which Hadelich couldn’t quite stamp his authority.

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