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The first time director Judy Hoffman goes in for a superstar close-up of Britney Spears in the rarely circulated 2002 documentary “Stages: Three Days in Mexico,” the performer is soldiering through yet another photo scrum in what was, already, a long, wearying line of press “events,” this time in a Mexico City Four Seasons banquet hall. Bright, cold red, white and blue illumination from Pepsi’s sponsor signage provides the background, while a wall of flashbulbs lights up the foreground. Spears, then 20 and at the end of a grueling world tour, smiles and holds it, just as filmmaker Hoffman, who teaches film studies at the University of Chicago, and her legendary cinematographer, documentary pioneer Albert Maysles, hold the shot just long enough for a question to form in the viewer’s mind: How long has this hard-working, indelible pop export, this culturally necessary boy-band antidote, held that smile, exactly? A minute? An entire world tour?

New yorkUnited statesLower east sideUniversity of chicagoMexico cityDistrito federalJustin timberlakeEdgar morinJim morrissetteJudy hoffmanJean rouchBritney spearsNeda ulabyAlbert mayslesNational public radioUniversity of chicago film studies center