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Whatâs exciting about performing live for a musician who hasnât been on stage for over a year? Everything. Itâs a three-hour drive from Sydney to Bathurst and Elliott Margin is cooped at the back of a rattling van taking The Rubens to their next gig, but the expectation and excitement for the keyboard player is palpable after the five-piece finally got in front of an audience the previous night with a cobweb-clearing show at the Coogee Bay Hotel.
âWe went well, but we were very nervous going in. Me personally, I couldnât enjoy the first song or two, but that went away and then I felt locked in,â Elliott says. âWeâd spent a year not getting that adrenalin, so it hit twice as hard.â
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Whatâs exciting about performing live for a musician who hasnât been on stage for over a year? Everything. Itâs a three-hour drive from Sydney to Bathurst and Elliott Margin is cooped at the back of a rattling van taking The Rubens to their next gig, but the expectation and excitement for the keyboard player is palpable after the five-piece finally got in front of an audience the previous night with a cobweb-clearing show at the Coogee Bay Hotel.
âWe went well, but we were very nervous going in. Me personally, I couldnât enjoy the first song or two, but that went away and then I felt locked in,â Elliott says. âWeâd spent a year not getting that adrenalin, so it hit twice as hard.â
Australian theatre grapples with access, diversity and job losses through the coronavirus shutdown
Posted
FriFriday 18
DecDecember 2020 at 7:03pm
The Sydney Opera House was among the thousands of venues across Australia that went dark at the onset of the pandemic.
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It s hard to quantify just how damaging 2020 has been for the Australian theatre sector.
Performing arts workers from writers and directors to ushers, stagehands and lighting artists lost work overnight, after theatres across the country went dark in March.
Due to the short-term contract-based nature of their work, many were let go without severance pay and were not eligible for JobKeeper.
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