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50 years and worlds apart: Rethinking the Holocene occupation of Clogg by Bruno David, Joanna Fresløv et al

Abstract In this paper we report on new research at the iconic archaeological site of Cloggs Cave (GunaiKurnai Country), in the southern foothills of SE Australia’s Great Dividing Range. Detailed chronometric dating, combined with high-resolution 3D mapping, geomorphological studies and archaeological excavations, now allow a dense sequence of Late Holocene ash layers and their contents to be correlated with GunaiKurnai ethnography and current knowledge. These results suggest a critical re-interpretation of what the Old People were, and were not, doing in Cloggs Cave during the Late Holocene. Instead of a lack of Late Holocene cave occupation, as previously thought through the conceptual lens of ‘habitat and economy’, Cloggs Cave is now understood to have been actively used for special, magical purposes. Configured by local GunaiKurnai cosmology, cave landscapes (including Cloggs Cave s) were populated not only by food species animals, but also by ‘supernatural’ Beings and

Thousands of hikers flocking to secret sandstone archway only an hour s drive from Sydney s CBD

But goodways

Big stories run through the exhibition Big Weather and other works in the NGV Collection, serving as a reminder of our reciprocal relationship with the weather, as well as the continuous and important nature of storytelling. As Dr Jared M. Field says, stories need to be told and retold, enabling us to both carry responsibility and pass it on. He shares a few of the works whose big stories resonate with him. The Wanjina of Alec Mingelmanganu creep me out. But goodways, you know? They remind me of childhood and long hours listening to ghost stories. Stories that were told always in the same setting: a thin sheet on the floor, a pack of cards, and tea aplenty. And always by the same people: mum, aunties, and aunties that aren’t aunties but definitely are. These stories often left me scared, but also feeling protected. Protected, of course, because of who was doing the telling: there is no safer place than the arms of an old Black lady. These stories now also provide comfort, in t

Stockman s cottage transformed into charming farm stay

Stockman s cottage transformed into charming farm stay
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