THE first time I interviewed Orange Juice was terrifying. I still bear the scars. Facing Edwyn Collins, James Kirk, David McClymont and Steven Daly must rank as one of the most intimidating encounters of my career in music journalism. The location was a dingy flat above a kebab shop in the West End of Glasgow. Orange Juice were promoting their 1980 debut single, Falling And Laughing, on indie label, Postcard Records. They wanted to talk. Or did they? Guitarist Kirk and bass player McClymont barely said a word. Singer Collins spoke on behalf of the band, his condescending brickbats expertly teed up by drummer Daly.
John Fogerty says his new tune Weeping in the Promised Land was the hardest song he ever wrote
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John Fogerty says his new tune Weeping in the Promised Land was the hardest song he ever wrote | Classic Rock 103 5 WIMZ
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Godzilla vs Kong: Monster mash-up a cut above the rest
In a puzzlingly uneven franchise, this one’s worthy of the price of admission
Film Title: Godzilla Versus Kong
Director: Adam Wingard
Genre: Action
The MonsterVerse franchise (yes, it really is called that) has, to this point, had an erratic history. Gareth Edwards’s boring Godzilla unintentionally offered a case against swinging such a project towards dimly lit reverie. In startling contrast, the smashing Kong: Skull Island – all Creedence Clearwater Revival and jungle hell – convincingly argued that art should always aspire to the form of Apocalypse Now. Godzilla King of the Monsters could only have been more irritating if it had been scored to massed bagpipes.