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Johanna Parry (Kristen Wiig) wears sensible lace-up shoes, ankle socks, and linen dresses, with a little cardigan over her shoulders. When she cooks or cleans, she puts on a flowered apron. She is so unworldly that when she is told to set up a password at the library in order to use the computer, she asks the librarian, My own word? She has worked in the service of others, as a housemaid/nanny/nurse since she was 15. Her voice is soft and flat, and when she speaks, she uses functional practical language. She has feelings about the families with whom she lives, but you would never guess any of it looking at her face. She has no self-pity. And so, when Johanna suddenly awakens to love, early on in Hateship Loveship, it is both electrifying and perilous. She is not used to being overwhelmed with feelings, sexual and romantic, and she doesn t know how to behave; she doesn t know where to put it all. Watching Kristen Wiig s lived-in and alive performance as this blunt, practical, an

United statesHateship loveshipJohanna wiigEdith sami gayleMccauley nick nolteNick nolteHailee steinfeldGuy pearceSami gayleஒன்றுபட்டது மாநிலங்களில்ஜோஹன்னா வீிக்எடித் சாமி கேல்ம்க்காலீ நிக் நோல்ட்நிக் நோல்ட்பையன் பியர்ஸ்சாமி கேல்