Stephen Schaefer’s Hollywood & Mine Stephen Schaefer © Provided by Boston Herald This image released by Amazon shows Chris Pratt, from second left, Edwin Hodge and Sam Richardson in a scene from The Tomorrow War. (Frank Masi/Amazon via AP)
‘The Tomorrow War’ stars Chris Pratt as a heroic father figure who has issues with his own father (J.K. Simmons). As a $200 million sci-fi fantasy,
‘War’ begins as time-traveling Earthlings come from 30 years in the future, yes 2051, to warn everyone that monstrous aliens, notable for their beast-like demeanor and notably ferocious with several sets of chompers are waging a war of extinction – and winning. So people today – all sorts of people – are recruited and sent via a teleporter to 2051 where most quickly die as they are eaten and eradicated by those huge horrors from Outer Space. Yes, there are many surprises along the way, including who Pratt meets in 2051. Director Adam McKay, Pratt and s
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SPEAKING ON THE CLIMAX of his 1984 period piece Shanghai Blues, which ends on a Hong Kong–bound train from Shanghai, the Saigon-born, Hong Kong–based filmmaker Tsui Hark offered that the Chinese “are caught in something like a migrating curse, moving from one place to another.”On the face of it, Tsui’s cinema, with its staccato editing and pop sensibility, might seem to have little to do with that of Jia Zhangke, who has been the most prominent Mainland Chinese filmmaker on the festival circuit since his first feature, Pickpocket, played the Berlin International Film Festival in 1998 the title