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Nikon | News | Announcement of the Grand Prize winners of the Nikon Photo Contest 2020-2021
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Channel 4 privatisation could damage the UK s entire creative sector
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A crystal ball was â at least at the outset â not required.
A trip to the US in 1993 to âsee the internetâ left me in no doubt: the days of the daily printed newspaper were numbered. Once people learned about this thing they were calling the âworld wide webâ, there would be no going back. It might take 10 years, it might take 50, but it was clear that the future was digital.
If that much seemed obvious, everything else was a mist of incomprehension and wild futurology. My trip included a visit to the New York Times, which was betting heavily on cultural coverage, but didnât, on the whole, think news would work very well on computers.
On Channelling Creativity: Marc Ascoli & Craig McDean In Conversation
In the latest issue of AnOther, the French art director and the English photographer come together for a conversation about photographic memories and their 25-year collaborative relationship
April 13, 2021
Lead ImageSelf-portrait by Craig McDean
This article is taken from the Spring/Summer 2021 issue of AnOther Magazine. To celebrate our 20th anniversary, we are making the issue free and available digitally for a limited time only to all our readers wherever you are in the world. Sign up
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The image of the American model Guinevere van Seenus holding up a strip of pink wallpaper – hair pulled back, make-up pared back, gazing somewhere to the right of the camera, seemingly lost in thought – is one of the defining fashion images of the Nineties. The irony, of course, being that the photograph contains no clothes. Trumping attitude over attire, this image formed part of the Jil Sander Spring/Summer 1996 camp
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