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Reckless is a Mean Bastard Noir Waiting to Be Franchised

Reckless is a Mean Bastard Noir Waiting to Be Franchised Reckless, the new graphic novel series from Ed Brubaker and Sean Phillips, is aching for cinematic adaptation. We suggest how to get it done. Image Comics Welcome to Pitch Meeting, a monthly column in which we suggest an IP ripe for adaptation, then assign the cast and crew of our dreams. In this entry, we’re pitching an ongoing franchise based on the Reckless series written by Ed Brubaker and illustrated by Sean Phillips. In a jam, who ya gonna call? Someone meaner than the brute on your back. Ethan Reckless, not really a P.I., not really a goon. He’s somewhere in the middle, one of the fallen, eager to take on fellow heavenly castaways.

No, Adam Sandler Is Not The A-Lister With The Most Razzie Wins

Adam Sandler has razzle dazzled us at the movies for years, leading us to memorable comedies, from The Wedding Singer to Punch-Drunk Love and Uncut Gems to boot. Of course, he’s also known as being the king of the Razzies, the awards ceremony known for awarding those who have underachieved or done poorly with movie choices in a given year. Intriguingly, Adam Sandler is not the A-lister with the most personal Razzie wins, however. According to information compiled by Bonus, the Jack and Jill star has accumulated four personal Golden Rapberry Awards, which ties him in third place with Kevin Costner (another actor whose movies run the gamut from

You Don t Mess With the Zohan: Adam Sandler s lame Borat-lite tale hits Neon

This one has Sandler playing crack Israeli spy Zohan Dvir. Known as a Rembrandt with a grenade, the Zohan has brought many of the Middle East s worst terrorists to justice. But lately Zohan has grown tired of the endless missions and trappings of fame. The final straw comes when notorious Palestinian gun- man Phantom (John Turturro) is released, as part of a prisoner swap, just three months after being captured by Zohan. Disconsolate and disillusioned, Zohan decides to take the Phantom on again and fakes his own death, allowing him to escape to New York and pursue his real dream of cutting and styling hair.

The Quietus | Film | Film Features | A Mann s World: Style, Masculinity And James Caan In Thief

Adam Solomons , April 30th, 2021 08:40 Released 40 years ago this year, Michael Mann s debut Thief offered a prototype for the neo-noir action thriller about the American city – and it remains one of the best first features ever, finds Adam Solomons In her essay for the Criterion release of Paul Thomas Anderson’s Punch-Drunk Love, writer and director Miranda July observed that a crucial aspect of the film’s atmosphere lies in its depiction of the world’s inherent scariness. “Anderson does such a good job of describing that perpetually alarmed feeling – the trucks literally roar by like Jurassic Park dinosaurs; the warehouse door rolls up and down, blinding and blackening like the wrath of God”, she wrote. “Life really is terrifying.”

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