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A Roman Tragedies for the History Books - The New York Times

A ‘Roman Tragedies’ for the History Books The International Theater Amsterdam presented Ivo van Hove’s exhilarating Shakespeare marathon in a one-off, livestreamed production. Chris Nietvelt as Cleopatra giving in to grief at the death of Mark Antony in Ivo van Hove’s staging of “Antony and Cleopatra,” part of the director’s “Roman Tragedies.”Credit.Jan Versweyveld Six hours have rarely passed so quickly, or been so smart. That was the immediate take-away from the livestream last Sunday of the director Ivo van Hove’s “Roman Tragedies,” an exhilarating distillation of Shakespeare’s three Roman plays performed throughout an afternoon and into the evening as part of the International Theater Amsterdam’s ITALive program.

One Album Released by 44 Labels Is This the New Global Jukebox?

One Album Released by 44 Labels. Is This the New Global Jukebox? For a decade, Senyawa has helped redefine how Indonesian music sounded. Now, the duo wants to revolutionize how it gets heard. Wukir Suryadi and Rully Shabara at their studio in Yogyakarta, Indonesia. Their group, Senyawa, is an international emissary of Indonesia’s experimental music scene.Credit.Ulet Ifansasti for The New York Times By Grayson Haver Currin Published Feb. 18, 2021Updated Feb. 22, 2021 When coronavirus lockdowns began to grow among Indonesia’s 900 inhabited islands late last March, Rully Shabara and Wukir Suryadi, like many artists worldwide, began to fret over their musical future.

In Videos, Dubai Princess Says She Is a Hostage

Theater to Stream: Revisiting Rent and Angels in America

Theater to Stream: Revisiting ‘Rent’ and ‘Angels in America’ Presentations include the 30th anniversary of George C. Wolfe’s “The Colored Museum”; Andréa Burns in “Bad Dates”; and a solo show by Riz Ahmed. From left, Adam Pascal, Daphne Rubin-Vega and Anthony Rapp in “Rent,” whose anniversary is being celebrated with a reunion presented by New York Theater Workshop.Credit.Sara Krulwich/The New York Times Feb. 17, 2021 A pair of game-changing shows are celebrating big anniversaries, so now is a good time to revisit them and their legacies. George C. Wolfe’s “The Colored Museum,” an anthology of sketches about Black culture (called exhibits), felt like a bolt of lighting when it premiered in 1986. At its heart, as Frank Rich said in his New York Times review, was the question “How do American Black men and women at once honor and escape the legacy of suffering that is the baggage of their past?”

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