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One of Birmingham s most iconic buildings now welcoming visitors

One of Birmingham s most iconic buildings now welcoming visitors Aston Hall 2021. Photo: Birmingham Museums Trust. BIRMINGHAM .- Aston Hall, one of Birmingham’s most iconic buildings, is welcoming visitors as it reopened on 7 July after being closed for more than a year. The magnificent Grade 1 listed mansion reopened its doors with brand new displays that explore the fascinating lives of the Hall’s residents and its colourful historic past. Full of architectural and historical delights - from its breath-taking Long Gallery to the battle scars of the Civil Wars - Aston Hall is one of Britain’s finest treasures steeped in 400 years of history.

Gift ideas for the Brummie who has everything

Gift ideas for the Brummie who has everything These Birmingham-themed gifts also support the city s museums The Horizon Sun print is £150 (Image: Birmingham Museums) Email updates on the latest on shopping, restaurant news and moreInvalid EmailSomething went wrong, please try again later. Subscribe When you subscribe we will use the information you provide to send you these newsletters. Your information will be used in accordance with ourPrivacy Notice. Thank you for subscribingWe have more newslettersShow meSee ourprivacy notice Birmingham Museums has launched its new online shop and it contains loads of fun gift ideas for the Brummie who has everything.

Statue of James Watt to be reinstalled in Birmingham with plaque on his family links to slave trade

The steam engine pioneer, who died in 1819, was a key figure in the Industrial Revolution and was honoured with a gilded statue with colleagues Matthew Boulton and William Murdoch.

David Zwirner opens an exhibition of paintings by Bridget Riley

David Zwirner opens an exhibition of paintings by Bridget Riley Bridget Riley, Measure for Measure 45, 2020 © Bridget Riley. Courtesy the artist and David Zwirner. LONDON .-David Zwirner is presenting Past into Present, paintings by Bridget Riley (b. 1931), in the gallery’s Grafton Street location in London. The exhibition principally features work by Riley from the last two years, with reference to the work of the past, both in her own practice and in the art of painting itself. Over the course of her more than six-decade career, Riley has frequently returned to earlier ideas and even to specific works in order to identify alternative directions that a form could take. As she has noted, ‘I am sometimes asked “What is your objective” and this I cannot truthfully answer. I work “from” something rather than “towards” something. It is a process of discovery.’1

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