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Wolf Pups Born on Isle Royale, Moose Poised for Decline
mtu.edu - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from mtu.edu Daily Mail and Mail on Sunday newspapers.
Scientists: Pup births hopeful sign for Isle Royale wolves
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Scientists: Pup births hopeful sign for Isle Royale wolves
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Letters: Diana â the dream and the reality
Perhaps the ordinariness of her statue befits a princess who shone so brightly that she cast a disproportionate shadow
The statue of Diana, Princess of Wales, at the sunken garden of Londonâs Kensington Palace. Photograph: Guy Bell/REX/Shutterstock
The statue of Diana, Princess of Wales, at the sunken garden of Londonâs Kensington Palace. Photograph: Guy Bell/REX/Shutterstock
Sun 11 Jul 2021 01.00 EDT
Consensus in the press finds Dianaâs statue âdullâ, lacking âvitalityâ and âfrumpyâ and it may be true that part of the explanation is that the âenergy and purpose have been drained out of the art formâ (âDiana, Wollstonecraft, Wilde⦠why do we keep getting it so wrong with our statues?â, News). There is, however, a more fundamental problem. The idea of Diana, Princess of Wales, was always more significant than the real person. Even in an era of hyper-celebrity, few
El arte povera en Italia: primera parte
Serie de notas sobre diferentes movimientos del arte contemporáneo con conceptos claros para todos.
Por Julio Sánchez Baroni ( )
Nació en Villa Ángela, Chaco, es licenciado en Historia del Arte por la Universidad de Buenos Aires, ha sido docente de la Universidad de Nueva York y actualmente de la Universidad Nacional del Nordeste. Escribe crítica de arte en diferentes medios (La Maga, La Nación, Clarín) y es director de la revista digital NAE, Nuestro Arte de Enfrente, editada por la FADyCC (Unne)
Especial para El Litoral
Así como la performance tiene un desarrollo en el tiempo, los artistas del Arte Povera (pobre) trabajaban con elementos que asumían formas y significados a partir de su condición mutable y cambiante. El término arte pobre fue acuñado por el crítico italiano Germano Celant en 1969 para describir el trabajo de Michelangelo Pistoletto (1993-presente), Alighiero Boetti (1940-1994), Giuseppe Penone (1947-prese