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Wonder Woman 1984 Review - Spotlight Report

Spotlight Report Patty Jenkins‘ Wonder Woman was a uniquely solid entry in the disappointing DC cinematic universe, with a lot of heart and a performance from Gal Gadot that recalled the instantly definitive performance of Superman by Christopher Reeve. For a superhero flick, in the rapidly-growing-tiresome glut of superhero flicks, it genuinely stood out. So, naturally, when, Wonder Woman 1984 was announced, and then the plot leaked to some alarm from fans, we all wondered: “Can Patty Jenkins do it again?” Opening with an athletic competition during her childhood in Themyscira where she learns the importance of truth, the film races forward to 1984, where Diana has successfully maintained her secret identity since the end of the First World War. Working as an anthropologist, she touches an ancient Dreamstone and accidentally wishes her dead lover Steve Trevor (Chris Pine) back to life, and her envious assistant Barbara (Kristen Wiig) wishes herself as beautifu

Recommended Reading: Driving the Ford Mustang Mach-E

Autoblog The marketing hype was at an all-time high for Ford’s “Mustang” EV, but thankfully, the American automaker has met expectations. Autoblog took the Mustang Mach-E for a spin and offered some impressions as to how it stacks up against the rest of the electrified pack. “For the first time, we have a genuine, no-excuses competitor to Tesla’s benchmark EVs,” Ulrich explained.

Wonder Woman 1984: Gal Gadot Starrer To Enjoy The Widest Release But Without 3D Shows? Deets Inside

Wonder Woman 1984: Gal Gadot Starrer To Enjoy The Widest Release But Without 3D Shows? Deets Inside
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Why Wonder Woman 1984 Uses A Key Piece Of Hans Zimmer s Batman V Superman Score

CinemaBlend When DC Extended Universe diehards have their opportunity to watch Patty Jenkins’ Wonder Woman 1984 later this month, they may get a tingle of familiarity when listening to the score of one particularly climactic moment. The reason for this is because the new blockbuster makes use of an old piece of music – specifically a track created by Hans Zimmer and Thomas Holkenborg a.k.a. Junkie XL for Batman v Superman: Dawn Of Justice. It serves as a neat little callback that will put a smile on the faces of fans, but what’s funny to know about it is that its inclusion wasn’t initially intended to be permanent.

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