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State records show history of restraints, runaways and allegations of inappropriate behavior inside youth behavioral treatment center
The records detail how children seeking treatment for emotional and behavioral issues have been exposed to violence or injured during restraint holds. Author: Bennett Haeberle Updated: 6:36 PM EST March 8, 2021
A 10 Investigates’ review of two years’ worth of incident reports and police records has uncovered a pattern of children being hurt, running away and making claims of inappropriate behavior inside Mohican Young Star Academy, a youth treatment center for boys.
The records, submitted to a state licensing agency, detail how children seeking treatment for emotional and behavioral issues have been exposed to violence or injured during restraint holds.
ON THIS DAY IN MUSIC HISTORY: 2 18 21 iheart.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from iheart.com Daily Mail and Mail on Sunday newspapers.
Graeme Thomson
The news that Paul Westerberg and Tommy Stinson reunited recently to record a limited-edition EP under The Replacements banner makes the release of this low-budget, no-frills box-set a timely one. While there are no extras to attract aficionados (the albums were reissued individually in 2008 with bonuses), it’s a neat introduction to the most gifted, explosive and self-destructive rock and roll band of the Eighties.
Formed in Minneapolis in 1979 by singer and principal songwriter Paul Westerberg, Chris Mars (drums), Tommy Stinson (bass) and his now-deceased, step-brother Bob on lead guitar, The Replacements began as just another bunch of high school drop-outs channelling the punk ethic of No Future through a jagged howl of teen alienation. What raised them above the pack was the quality (and heart) of Westerberg’s songs and the sloppy magnificence of their playing. Their 1981 debut
WPGU 107.1
Let’s turn the dial back (to the left, if you will) to February 4, 1986, almost thirty-five years ago. A couple of weeks after their infamous Saturday Night Live performance, the Replacements took on Maxwell’s in Hoboken, New Jersey. The idea behind this gig was to capture their excellence on stage. Instead of being released shortly after,
For Sale: Live at Maxwell’s 1986hit the fan in 2017.
There is a lot of life in these songs. This recording captures the range of their catalogue, riddled with their fast and loud playing. You are greeted with two
Hootenanny (1983) songs back to back (baby, that’s a fact) full of fury. They play their newer stuff off of