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Rajeev Khandelwal on taking up live theatre as a challenge - INDIA New England News

INDIA New England News By Siddhi Jain New Delhi– Film and television actor Rajeev Khandelwal, who has made his theatre debut with Swadesh Deepak’s ‘Court Martial’, says that he looks forward to the challenge of performing in front of a live audience. “A junior ranked army man, Ramchander, one day, picks up his gun and shoots down his two senior officers. The army now orders a Court Martial against Ramchander to prove his crime and decide his punishment. The play comprises the proceedings of this Court, in which the defence lawyer, the extremely sharp Vikas Roy, goes deep into the motive behind the assault and exposes the ugly and shocking truth,” reads the synopsis of the Zee Theatre play.

Shabana Azmi : A renaissance artist on her life and career

Shabana Azmi in a still from “The Black Prince”. Photo: Reuters As Shabana Azmi turned 70 barely four months ago on September 18, 2020, she saw her glorious 45-plus year long career bookended by roles as diverse as they can get. Her first film, the 1974 classic by Shyam Benegal had her play Lakshmi, a village woman trapped in India’s oppressive caste-ridden society compounded by chronic poverty. Her latest project is as far from that stifling milieu as it can ever get. She plays Admiral Margaret Orlenda Parangosky in the live action science fiction series HALO based on the video game franchise being executive produced by Steven Spielberg.

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2020, the year of resilience in theatre: Practitioners and institutions rose to the challenges of an unprecedented crisis

2020, the year of resilience in theatre: Practitioners and institutions rose to the challenges of an unprecedented crisis The pandemic presented endless opportunities for theatrewallahs to rally together as a networked community beyond the usual barriers of geography or language. Vikram Phukan December 24, 2020 09:32:34 IST Representational image via Facebook/Drama School of Mumbai For the theatre community, the last month of the year is usually a time for winding down, taking stock, balancing the books (sparse as they might be), and carefully putting away the implements of a year-long engagement with the practice. Then again, in this uncommon year, that was perhaps all one could do over months of uncertainties and speculation, spent milling in the uncanny limbo of an entire trade brought to a grinding halt by a super-spreading virus.

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