Art & Design|The Kids of Survival Are Middle-Aged â and Transforming Yet Again
Tim Rollins and Studio K.O.S. in 1993, Longwood Ave., South Bronx: From left: Rick Savinon, Tim Rollins, Carlos Rivera, Victor Llanos. Back row, from left: Robert Branch, Angel Abreu. Seated: Jorge Abreu.Credit.Studio K.O.S. and Wexler Gallery
The Kids of Survival Are Middle-Aged â and Transforming Yet Again
Studio K.O.S. continues the legacy of the â80s art collective that grew up, entered museums and regrouped in Hoboken.
Tim Rollins and Studio K.O.S. in 1993, Longwood Ave., South Bronx: From left: Rick Savinon, Tim Rollins, Carlos Rivera, Victor Llanos. Back row, from left: Robert Branch, Angel Abreu. Seated: Jorge Abreu.Credit.Studio K.O.S. and Wexler Gallery
Anzueto
In the late 1990s, local rocker Eddie Anzueto broke out of his signature rock-n-roll mold and approached early hip-hop band “Salt-N-Pepa” with an idea.
He suggested to the group, known for their smash hits like “Push It” and “Whatta Man,” that they perform together on a song called “The Clock is Ticking.” The single appeared on Salt-N-Pepa’s “Brand New,” the group’s album released in 1997. It would be the group’s final studio album before the group broke up five years later.
“The Clock is Ticking” turned out to be a hit. The album was declared gold by the Recording Industry Association of America. Critics hailed the album for its piano and guitar sounds, a departure from the group’s previous albums.
Claudio Bravo
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Forum Gallery presents its first exhibition of works by Claudio Bravo (1936 – 2011), whose estate the Gallery now represents.
About
The exhibition of paintings, pastels and drawings includes works exhibited publicly for the first time in the United States.
In his catalogue essay, Art in America contributing editor David Ebony writes, “Gifted with technical virtuosity, Bravo commands a seemingly effortless sleight-of-hand to enthrall viewers in unexpected ways. Like a modern-day alchemist, he manages to transform everyday objects and ordinary subjects into something inimitable, rarified and extraordinary. Even hi
Tuesday, January 12, 2021 Emma Amos’s journey to become a distinguished artist is nothing short of extraordinary. She was interested in art from a young age, even though segregation prevented her from being able fully to enjoy and experience the arts in museums and other public “separate-but-equal” spaces. “Emma Amos: Color Odyssey,” a retrospective solo exhibition organized by the Georgia Museum of Art at the University of Georgia, not only shows her presence and growth as an artist, but also highlights the social change for which Amos fought. “Emma Amos: Color Odyssey” will be on view at the Georgia Museum of Art January 30 through April 25, 2021, before traveling to the Munson-Williams-Proctor Arts Institute from June 19 to September 12, 2021, and the Philadelphia Museum of Art from October 9, 2021, to January 2, 2022. The exhibition includes over 60 works Amos made over the course of her career, with the earliest from the late 1950s a