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'Mad Men' season finale seen by 2.7 million viewers (0)
Writer and producer Matthew Weiner of "Mad Men" accepts the outstanding drama series award, surrounded by cast members during the 63rd annual Primetime Emmy Awards held at Nokia Theatre in Los Angeles on September 18, 2011. UPI/Jim Ruymen | License Photo
LOS ANGELES, June 25 (UPI) -- Sunday's Season 6 finale of the New York-set drama "Mad Men" was seen by 2.7 million viewers, making it the highest-rated finale in series history, AMC said.
"There is nothing else on television like 'Mad Men,' and for the series in its sixth season to deliver the highest-rated finale ever -- and an episode that critics and fans have already declared an instant classic -- is a testament to everyone who brings this world to life," Charlie Collier, AMC's president, said in a statement Monday. "Matthew Weiner and his cast and crew have created something that continues to occupy a unique and very special place, on television and across the broader cultural landscape, and we are so proud to be a part of it."
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New Movies to Watch This Week: Disney's 'Raya,' Amy Poehler's 'Moxie' and Eddie Murphy's Return
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It’s a very different landscape this week than it was a year ago, just before the pandemic forced cinemas to close around the country. Still, with New York cinemas cautiously reopening this week and many other markets determined to bring moviegoing back, the studios and indie distributors alike are bringing many of their long-delayed releases onto screens, albeit in an entirely new way.
For contrasting examples, look at how two of the majors are handling what were intended to be family film tentpoles: Paramount decided to bypass theaters entirely with “The SpongeBob Movie: Sponge on the Run,” using the title to launch its new subscription service, Paramount Plus (audiences can also rent it, at a price of $19.99, for a limited time via PVOD platforms). Disney tested a similar approach with “Mulan” late last summer, and now unveils its latest animated princess movie, “Raya and the Last Dragon” — though that label disguises the many ways in which this one advances the formula — both in theaters and via Disney Plus (where it can be rented for a premium surcharge).
New-yorkUnited-statesBosnia-herzegovinaZeytinAdiyamanTurkeyCubaFlushingHollywoodCaliforniaCzech-republicAustria'Detective Chinatown 3' Review: Record-Setting Mystery-Comedy Tackles Tokyo
'Detective Chinatown 3' Review: Record-Setting Mystery-Comedy Tackles Tokyo
The third chapter in Chen Sicheng's mega-hit series is fun on the fringes but undercooked in the center.
Richard Kuipers, provided by
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Director: Chen Sicheng
With: Wang Baoqiang, Liu Haoran,
Satoshi Tsumabuki, Tony Jaa, Tomokazu Miura, Masami Nagasawa, Tadanobu Asano, Shota Sometani, Hirayama Motokazu, Shang Yuxian, Zhang Zifeng, Cheng Xiao, Chen Zheyuan. (Mandarin, Japanese, English, Thai dialogue)
Running time: Running time: 136 MIN.
Courtesy of WanDa Pictures
The mega-successful Chinese franchise about a mismatched detective duo tackling baffling crimes in foreign destinations continues with a wildly uneven caper set in Tokyo. With performances, plotting and visuals amped up to 11 as per usual, this hyperactive combination of Sherlock Holmes-type sleuthing and Three Stooges-style slapstick comedy offers plenty of zany fun, but the central murder-mystery contains so many convoluted diversions, digressions and detours it makes the whole enterprise play like a long stream-of-consciousness sketch with a glaringly hollow core.
New-yorkUnited-statesJiang-weiJiangxiChinaJapanHurstvilleNew-south-walesAustraliaTokyoThailandSydneyFrom the beginning of the modern era of cinematic superheroes—the launch of the
X-Men film franchise—the struggle for viable live-action TV incarnations of these same heroes was an uphill battle. Following the blockbuster success of
Iron Man and the subsequent development of the Marvel Cinematic Universe, there was a natural expectation that audiences’ appetite for larger-than-life stories of mutant powers and struggles between good and evil would translate smoothly to the small screen. Instead both network and cable television struggled for years with how to integrate superhero storytelling into the medium. With
Heroes’ creative collapse after a single season, TV continually tried and failed to replicate the model of cinematic superhero narratives.
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