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Obie Winner Renata Hinrichs Returns to the Stage With Live RANDOM ACTS
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Central Indiana residents to get exclusive first look at Broadway-bound musical, Ever After , staring Christy Altomare and Corey Cott - WISH-TV | Indianapolis News | Indiana Weather
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It doesn’t take a Leonardo-level intellect to figure out that the pandemic has been devastating for the arts economy. Live events were the first things to stop, and they will be the last to return. That means musicians, actors, and dancers, plus all the people who enable them to take the stage playwrights and choreographers, directors and conductors, lighting designers and makeup artists, roadies, ushers, ticket takers, theater managers have no way to make a living from their work, and haven’t for more than a year.
Still, I don’t think most of us appreciate just how bad things are. The crisis goes well beyond the performing arts. Surveys published last summer found that 90 percent of independent music venues were in danger of closing for good, but so were a third of museums. In a survey by the Music Workers Alliance, 71 percent of musicians and DJs reported a loss of income of at least 75 percent, and in another, by the Authors Guild, 60
Delacorte Theatre Tammy Shell
But while moving productions outdoors might feel like the perfect warm-weather solution to meeting COVID-19 social distancing and ventilation recommendations (though New York Governor Cuomo has newly lifted capacity restrictions, social distancing measures remain in effect), the shift also creates a host of challenges that affect both the creative team and production staff. Theatres presenting a season with a number of outdoor offerings are met with invisible challenges like figuring out how to set up a box office and how to organize the (in name only) âfront of houseâ staffâand they need to do so for each new production in each location.
Bennett, an assistant professor of English and creative writing at Dartmouth College, has published three books of poetry and literary criticism.
Khoury, whose plays have been developed at Playwrights Horizons, Williamstown Theater Festival, and the Eugene O’Neill Playwrights’ Conference, just graduated from medical school.
The awards are unique in that the nominees are not aware that they are being considered until the winners are actually announced. It is absolutely surreal, said Bennett, a new father, upon learning he had won. I was excited that we could finally fix the roof.
Bennett s award was for a body of work, including Being Property Once Myself, and for his poetry The Sobbing School and Owed which the judges noted radically expands ideas of what it is to be alive in the world, reshuffling hierarchies of knowledge and power and hinting at a new way of being.”
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