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Hoda Muthana, Alabama ISIS Bride, says in new documentary she was brainwashed, wants to come home

Hoda Muthana, Alabama ‘ISIS Bride,’ says in new documentary she was ‘brainwashed,’ wants to come home AL.com 58 mins ago Carol Robinson, al.com Alabama “ISIS Bride” Hoda Muthana, who left her Hoover family in 2014 to the Islamic State in Syria, is featured in a new documentary in which she explains why she joined ISIS and why she now wants to come home. “When you are brainwashed, you don’t realize it until you snap out of it. I took everything too fast and too deep,” Muthana, now 26, told Spanish filmmaker Alba Sotorra Clua in the new documentary ‘The Return: Life After ISIS.’

When Inclusion Is the Dream

When Inclusion Is the Dream Forget Me Not Documentary Explores Challenges of Inclusion in Education System Hilda Bernier and her son Emilio in the film Forget Me Not. © 2021 Image courtesy Rota 6 Films “There is a thing out there called inclusion and I need to get it.” In a year where a pandemic divided nations, states, and households, and systemic racism in our country and around the world continued to result in senseless murders, this line from the recently released documentary Forget Me Notby director Olivier Bernier seems all the more urgent. Inclusion has never been more important to our future. As advocates, however, we are sadly aware that segregation and exclusion remain the norm at home and worldwide, and inclusion only a dream.

Pepion Swaney s Daughter of a Lost Bird explores Indigenous identity

View Comments Brooke Pepion Swaney, a Blackfeet and Salish filmmaker, directed a film that is airing on Wednesday at the Human Rights Watch Film Festival in New York. Pepion Swaney, 40, grew up on the Flathead Indian Reservation and in Helena; she now lives in Polson. Her film, Daughter of a Lost Bird,  follows Kendra Mylenchuk Potter in her quest to understand her Indigenous identity.  Mylenchuk Potter was adopted at birth by a white family. In the film, she reconnects with her birth mother, April, who is a member of the Lummi Nation, a tribe headquartered in northwest Washington. As Mylenchuk Potter grapples with her Indigenous identity, she learns that her birth mother was also adopted by a white family. 

Human Rights Watch Film Festival includes documentary about Ohioans

Three women who were incarcerated in the Ohio prison system are featured in a new film that debuts Thursday as part of the 32nd annual Human Rights Watch Film Festival, which this year is virtual. In January, nearly 3,400 women were incarcerated in Ohio’s prisons, many of them mothers. The film points out that the number of incarcerated women across the country has increased 800 percent since the nation s war on drugs began in the 1970s, and that about 80 percent of those jailed are mothers. Apart, from Red Antelope films, was directed by Jennifer Redfearn and produced by Tim Metzger. Redfearn will be among those participating in an online question and answer session Thursday at 8:30 p.m. after a screening of the film at 7 p.m. 

2021 Human Rights Watch Film Festival streams social justice stories

2021 Human Rights Watch Film Festival streams social justice stories David Morgan © Red Antelope Films/ITVS apart-2.jpg Documentaries on social justice, including stories of incarcerated women, cultural identity, police violence, inclusive education, and government cover-ups, are in the spotlight at the 2021 Human Rights Watch Film Festival, presented digitally beginning Wednesday, May 19. The festival, now in its 32nd year, will screen 10 feature films digitally through May 27, and will also host free online discussions with the filmmakers and subjects, as well as with researchers and advocates from Human Rights Watch. Feature films The following are descriptions and trailers for the festival s 10 features, only some of which have been previewed at press time:

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