New Mexico state museums, historic sites reopen: Here s when to visit elpasotimes.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from elpasotimes.com Daily Mail and Mail on Sunday newspapers.
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Adobe show where the original walls of the pueblo were located at Coronado Historic Site in Bernalillo. (Greg Sorber/Journal)
After nearly a year of being closed to the public, the state’s museums and historic sites are reopened.
The process to reopen to the public began in February with a slow roll out by the state.
According to the New Mexico Department of Cultural Affairs, the eight state museums and seven historic sites have been open since May 16.
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“We are excited to welcome visitors back to all of our vibrant institutions, which offer compelling exhibitions and other thought-provoking collections,” said DCA Cabinet Secretary Debra Garcia y Griego, in a release. “Enriching people’s lives is at the heart of DCA’s mission, and the wonder of our state’s cultural heritage is greatly enhanced when experienced in our museums and our historic sites fir
Hong Hong in conversation. The performance of ritual, with its physical demands and cyclical patterns, grounds Hong s papermaking and opens a channel of communication between present and past, the artist and her ancestors, and the mundane and the divine. In her work and installations, Hong investigates human experiences of time, dimension, and space. She will discuss her installation at Asia Society, where the architecture is both a support and a counterpoint for ideas of scale, visual perception, and experiential connection.
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Asia Society Texas opens The Mountain That Does Not Describe a Circle: Works by Hong Hong
Hong Hong (b. 1989, Hefei, China); Installation image of a large-scale project; Houston, Texas; 2021.
HOUSTON, TX
.-Asia Society Texas Center welcomes Houston-based artist Hong Hong in a new free exhibition of her large-scale paper works on view now through July 25, 2021. In this site-responsive installation, The Mountain That Does Not Describe a Circle responds to the architecture of ASTC as both a support and a counterpoint for ideas of scale, visual perception, and experiential connection.
The Mountain That Does Not Describe a Circle, which includes 25 works in 5 different installations, invites viewers to more deeply consider the material structure and surfaces of paper, its function, and its ability to communicate a broad range of information. While handwriting or printed text is on most of the paper we encounter, these works by Hong Hong feature mark-making of their own which can