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A New York Gallery Field Trip February 2021

/ Unlike London, New York galleries are open for business. After my first Covid jab last week, a wave of cautious optimism motivated me to hit the frigid downtown streets. Luckily, this gallery field trip coincided with a dear friend’s much-heralded solo show, an introduction to work by two inspiring artists I previously did not know of, and even the Outsider Art Fair’s annual and beloved event, spread between galleries. Monday New York was blanketed with an unusually dramatic snowstorm, so my weekend jaunt was perfectly timed. (And as I send this out, it is yet another snowy Sunday, one week later)

The Drawing Center opens Ebecho Muslimova s first solo museum exhibition

The Drawing Center opens Ebecho Muslimova s first solo museum exhibition Ebecho Muslimova, Fatebe Phantom Cage, 2020. Enamel and oil paint on Dibond aluminum, 96 x 144 in. Courtesy of the artist, Galerie Maria Berheim, Zürich and Magenta Plains, NY. Photo by Matt Grubb//Object Studies. NEW YORK, NY .- For Ebecho Muslimova’s first solo museum exhibition, the artist presents Scenes in the Sublevel, a site-specific installation that includes ten large-scale mixed-media drawings. Muslimova (b. 1984, Makhachkala, Dagestan, Russia) is known for her pen and-ink drawings and large-scale paintings that feature her bold and uninhibited cartoon alter ego, Fatebe. Her latest body of work takes up The Drawing Center’s downstairs gallery as the stage for Fatebe’s intrepid misadventures.

Martha Diamond on painting New York - Artforum International

View of Martha Diamond’s “1980–1989,” 2021. Magenta Plains, New York. Over the course of her fifty years as a painter in New York, Martha Diamond has applied her love of place and structure to canvases that capture the architecture of the five boroughs in striking hues and energetic, wet-on-wet brushstrokes. On the occasion of “1980–1989,” an exhibition of oil paintings and studies on Masonite made during the titular decade on view at Magenta Plains in New York through February 17 Diamond looks back on her childhood in the city, her affiliation with the New York School, her informal education in painting, and her artistic community.

Can Biden s inauguration galvanise the US art world into finally taking action against climate change?

Art gallery workers in New York are turning climate activists © Markus Spiske The Biden administration has entered the White House with plans to tackle climate change on “an epic scale,” aiming to lead the world in a “clean energy revolution” and slash emissions in the US to net zero no later than 2050. The new government’s commitment to climate action may boost momentum around sustainability efforts across the US arts sector that have been quietly gaining steam over the past 12 months. The US art world has lagged behind climate change activism in the sector in other countries in the UK, for example, institutions have set ambitious goals to become carbon-neutral, Frieze London has commissioned carbon audits, and the Gallery Climate Coalition has developed a user-friendly carbon calculator for galleries. But those involved in a groundswell of similar initiatives in the US say we’re now in the midst of a watershed moment.  

The T List: Five Things We Recommend This Week

The T List: Five Things We Recommend This Week Sculptural jewelry, puzzles in celebration of Black queer identity and more. Jan. 7, 2021 Welcome to the T List, a newsletter from the editors of T Magazine. Each week, we’re sharing things we’re eating, wearing, listening to or coveting now. And you can always reach us at Image A puzzle version of Kwesi Botchway’s “Self Love” (2020) comes in a box designed by Cary Fagan.Credit.Courtesy of MQBMBQ By Coralie Kraft For the fourth installment of My Queer Blackness, My Black Queerness (MQBMBQ), an ongoing visual exploration into the experiences of queer Black people around the world that encompasses

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