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Reports of drinking bleach to prevent COVID-19 skewed by problematic claims
Researchers in the United States have conducted studies suggesting that reports of people ingesting household cleaning agents as a way of protecting against coronavirus disease 2019 (COVID-19) are skewed by problematic responses to surveys.
A series of studies analyzing almost 1,400 survey participants showed that 80 to 90% of the claims regarding ingestion of household cleaners are made by problematic respondents.
Jonathan Robinson from Prime Research Solutions in Queens, New York and colleagues from Columbia University and Marymount Manhattan College say these respondents also make implausible claims about eating concrete for its iron content and recently having had a fatal heart attack.
Poverty in the Dominican Republic and Its Connection to Crime
SEATTLE, Washington The Dominican Republic is a middle-class country filled with rich, diverse culture located in the Caribbean that has made progress with its economy. However, one can still find people living in impoverished communities within the country where crime is prevalent. Crime and poverty are two inextricably connected issues. This piece will focus on the correlation between crime and poverty in the Dominican Republic while revealing insights from people who have experienced the country’s poor living conditions and how the nation deals with crime.
Poverty in the Dominican Republic
Photo: Valerie Robin and Fabrice Calmels in Gerald Arpino s
Light Rain. Photograph by and courtesy of Herbert Migdoll.
What makes a ballet a classic? Is it earning a permanent place in the history books, or is it being worthy of the Herculean investment of hours in the studio, the tireless work of the dancers and coaches, the resources, media and marketing machine required to bring it to life, or both? Who decides, and more importantly, what goes into that calculus? Today the re-evaluation of the Western theatrical dance canon continues as ballet and modern dance are challenged in the academy.[1] In concert dance, these questions are a matter of survival: the performed repertory consists mostly of “classics” and “new work,” and everything else tends to disappear. So, the question of what makes a dance a classic, i.e.,