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Holt/Smithson Foundation announces representation of Nancy Holt by Sprüth Magers

Holt/Smithson Foundation announces representation of Nancy Holt by Sprüth Magers Nancy Holt on a NYC rooftop, October 1977. Photo: Leandro Katz. © Holt-Smithson Foundation, Licensed by VAGA/New York. SANTA FE, NM .- Nancy Holt (1938-2014) recalibrated the limits of art. She expanded the places where art could be found and embraced the new media of her time. A pioneer of site-specific installation and the moving image, Holt was a member of the earth, land, and conceptual art movements. Her rich artistic output spanned concrete poetry, audio, film, video, photography, slideworks, ephemeral gestures, drawings, room-sized installations, earthworks, books, and public sculpture commissions. Across five decades Holt asked questions about how we might understand our place in the world, investigating systems of perception and expanding understanding of place.

CUE Art Foundation presents a solo exhibition by John Feodorov

CUE Art Foundation presents a solo exhibition by John Feodorov Installation view of John Feodorov s exhibition at CUE Art Foundation. Photo: Sunny Leerasanthanah. NEW YORK, NY .-CUE Art Foundation is presenting Assimilations, a solo exhibition by John Feodorov, curated by Ruba Katrib. Drawing upon his experience growing up half-Navajo (Diné) and half-white in the suburbs of Los Angeles, Feodorov’s multimedia installation, paintings, and prints explore how identity and memory are shaped amidst the violent pressures of cultural assimilation and the legacy of settler colonialism in the United States. In the front gallery, Feodorov’s installation, How I Learned To Be A Christ-jun, displays Pentecostal and Jehovah’s Witness hymn books and pages along with a New Testament Bible translated into the Navajo language in an altar-like space. Manipulated recordings play a Christian congregation singing hymns combined with looped audio of the artist’s mother and grandfather singing tr

Catching up with Coddling part twelve: Protecting the brand and apolitical censorship — The big middle of FIRE s cases

FIRE The Eternally Radical Idea EDITOR’S NOTE: This is part 12 of a multi-part series updating developments since the publication of “ . When I talk to people about FIRE’s work they’re often surprised when I say that a lot of FIRE’s cases involving students are not your stereotypical examples of right-on-left or left-on-right censorship of political or “politically incorrect” speech. While those kinds of cases certainly do exist, it’s extremely common for a case to involve speech with little political valence so common that I call this the “big middle” of FIRE cases. This dovetails directly from what I discussed in my tenth CUWC installment on the “Strong Corporatism Theory:” that “[h]igher education is harmed any time universities choose concerns like ranking, donations, staff morale, tuition dollars, federal grants, fear of liability, etc, over teaching and research goals.” In the following examples from FIRE’s case history and

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