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RAIC names four international Honorary Fellows for 2021

RAIC names four international Honorary Fellows for 2021
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David Zwirner opens an exhibition of works by William Eggleston and John McCracken

David Zwirner opens an exhibition of works by William Eggleston and John McCracken Installation view, William Eggleston and John McCracken: True Stories, David Zwirner, New York, March 9 – April 24, 2021. Courtesy David Zwirner. NEW YORK, NY .-David Zwirner is presenting an exhibition of works by William Eggleston and John McCracken—the first time these two iconic American artists have been featured together. On view at the gallery’s East 69th Street location in New York, True Stories places Eggleston and McCracken into dialogue around their expressive use of color and light, and their distinct versions of American vernacular culture. Born within five years of one another—McCracken in Berkeley, California, in 1934, and Eggleston in Memphis, Tennessee, in 1939—the two artists came of age outside of the dominant centers of the art world, internalizing the spaces and light of the American West and South. Working in sculpture and photography, respectively, each would go on to

Artist Talk with Irina Rozovsky

Thursday, April 8 7:00 p.m. EDT Aperture and Rockefeller Center, in collaboration with Parsons School of Design and MACK, is pleased to present an artist talk with Irina Rozovsky as she discusses her project In Plain Air (2011­­–20), featured in the “New York” issue of Aperture magazine. For ten years, Rozovsky has been making lyrical portraits of Brooklyn’s Prospect Park both of the landscape and its visitors perfectly capturing the democratic nature of the space. From images of women fishing to family barbeques to young couples in the grass, In Plain Air is a lover letter to Prospect Park and all those who spend time there.

Xavier Hufkens opens an exhibition of recent and historical work by Sherrie Levine

Xavier Hufkens opens an exhibition of recent and historical work by Sherrie Levine Installation view. BRUSSELS .-Xavier Hufkens is presenting an exhibition of recent and historical work by American artist Sherrie Levine (b.1947). By means of a meticulous scenography and a well-considered selection of artworks in various media, the artist investigates her abiding interest in repetition, replication and art historical appropriation. Rows of identical, repeating pregnant Tattooed Body Masks (2020) and feline Bobcat Skulls (2010), both cast from unique found objects – a wooden makondo mask from South-Eastern Tanzania and an animal carcass respectively, testify to Levine’s scrutiny of art historical principles and interpretations. By attributing equal significance to form and concept, the replication and duplication of these objects is not an arbitrary choice but indicates Levine’s profound engagement with the art historical canon. In this light, the Tattooed Body Masks can be re

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