vimarsana.com

Page 3 - லெஸ்லி லோஹ்மன் அருங்காட்சியகம் ஆஃப் கலை News Today : Breaking News, Live Updates & Top Stories | Vimarsana

She turned her audacious lens on herself, and shaped the future

She turned her audacious lens on herself, and shaped the future Laura Aguilar, Los Illegals, 1984. Gelatin silver print, 11 x 14 inches. Courtesy of the artist and the UCLA Chicano Studies Research Center © Laura Aguilar. by Holland Cotter (NYT NEWS SERVICE) .- It feels good — a relief — to know that photographer Laura Aguilar, who died in 2018, lived long enough to see her fine career survey, which opened a year earlier in her hometown Los Angeles and has now, at last, landed in New York. It’s a movingly, sometimes discomfortingly intimate show. To know Aguilar’s art is, to an unusual degree, to know her, and to care about her, and to care about what she cared about: under-the-radar, under-threat social communities and hard-won personal survival.

Laura Aguilar Turned Her Searing Lens on Herself, and Shaped the Future

She Turned Her Audacious Lens on Herself, and Shaped the Future A powerful voice for marginalized groups, Laura Aguilar frankly and poetically portrayed Latino and lesbian communities. Laura Aguilar in one of her candid self-portraits, “Grounded #111” (2006) at the Leslie-Lohman Museum of Art. She was alone, her face often hidden, her prone body aligned with and echoing landscape contours and rock formations.Credit.Laura Aguilar/Laura Aguilar Trust; Vincent Price Art Museum Foundation and the Los Angeles County Museum of Art April 22, 2021, 12:23 p.m. ET It feels good a relief to know that the photographer Laura Aguilar, who died in 2018, lived long enough to see her fine career survey, which opened a year earlier in her hometown Los Angeles, and has now, at last, landed in New York.

Our picks of the must-see shows to see in New York in February

Malia Jensen: Nearer Nature Until 3 April at Cristin Tierney, 219 Bowery Floor #2, Manhattan This show represents the culmination of a multi-year project for the artist, whose work often probes into the gray area between the human world and the natural one, pointing to the poetic symmetry between the two. The work began in early 2019, when Jensen carved sculptures from livestock salt licks and installed them in the wilderness throughout Oregon state. The salt licks were carved into a number of forms, some, such as a plate of donuts, recall the domestic and mundane, while others shaped as a hand or a breast invoke tender, life-nurturing figures. When placed in this context, one salt lick carved in the shape of Brancusi’s

Three exhibitions to see in New York this weekend

Guadalupe Maravilla, Ancestral Stomach (2021) PPOW Guadalupe Maravilla: Seven Ancestral Stomachs Until 27 March at PPOW, 392 Broadway, Manhattan The Brooklyn-based Salvadoran artist Guadalupe Maravilla recalls how a chemotherapy appointment in New York left him nearly unable to walk, and how a sound bath he encountered on the way home led to a years-long sound therapy treatment that he credits for his successful recovery from colon cancer in 2013. In this exhibition for the gallery’s newly inaugurated space in Tribeca, Maravilla has produced a series of esoteric and deeply personal retablos, sculptural “stomaches” and free-standing sculptures rich with spiritual symbolism. Some works generate vibrational sounds and are made from materials collected throughout Central America, simultaneously referencing the artist’s personal history of crossing the US border and his solidarity with the pain and trauma experienced by undocumented immigrants. The show fo

© 2025 Vimarsana

vimarsana © 2020. All Rights Reserved.