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The royal family can t keep ignoring its colonialist past and racist present

The most explosive element of the Sussexes’ highly anticipated interview with Oprah Winfrey was the claim that someone within the royal household had “concerns” over how dark-skinned the couple’s son Archie might be. While Winfrey later clarified neither the Queen nor the Duke of Edinburgh were behind the remark, Meghan also suggested their son was denied the title of prince because of his mixed race. The interview points to a larger issue of racism in the British monarchy, both contemporary and historical. When the couple began dating, some hoped it would usher in a period of royal renewal. Meghan, who has an African-American mother and a white father, was presented as a symbol of the modern, inclusive monarchy. These hopes were gradually dashed with consistently negative media coverage, including unfavourable comparisons with Meghan’s sister-in-law, Kate Middleton, the Duchess of Cambridge.

Britain s royal family can t keep ignoring its colonialist past, racist present

The most explosive element of the Sussexes highly anticipated interview with Oprah Winfrey was the claim that someone within the royal household had "concerns" over how dark-skinned the couple s son Archie might be.

Julia Stone, Middle Kids, Tash Sultana: Australia s best new music for February

Julia Stone, Middle Kids, Tash Sultana: Australia s best new music for February Nathan Jolly and Guardian Australia Julia Stone featuring Matt Berninger – We All Have For fans of: Damian Rice, the National, Taylor Swift gone folk Julia Stone’s first solo album in eight years has been recorded piecemeal since 2015 with various collaborators, including St Vincent. As a result, the four singles we have heard so far all sound wildly different, with an ethereal production wash being the only binding element. We All Have is the most beautiful to date, a sparse ballad with minimal piano and finger-picked guitar accompanying Stone’s chirping baby-bird harmonies. Matt Berninger from the National takes verse two, his solemn baritone the perfect counter, before the pair combine for the chorus. It’s all over and done in two and a half minutes but it leaves a lasting, calming impression – a lovely ode to the impermanence of everything.

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