Thursday, March 11, 2021,
7:00 p.m.
Join
Gary Vikan, former director of the Walters Art Museum, for a talk about his recent book,
The Holy Shroud: A Brilliant Hoax in the Time of the Black Death (Pegasus Books, 2020), in which he shows that the world’s most controversial relic, the Shroud of Turin, is not the burial cloth of Jesus but rather a photograph-like body print of a medieval Frenchman created by a brilliant artist serving the royal court in the time of the Black Death. While other scholars, and even the Catholic Church itself, have never confirmed the authenticity of the Shroud, the question always remained how did that image get there? Combining copious research and decades of art-world experience with an accessible, wry voice, Vikan shows how one of the greatest hoaxes in the history of Christian relics came into being. The talk is sponsored by the Departments of Art and Religious Studies, the Center for the Arts and Humanities, and the Colby College Museum of
Great works from around the globe coming to Chrysler Museum of Art in Norfolk
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Formerly rum row and Grand Central, these old walls cradle a new project in Baltimore s Mount Vernon neighborhood
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Catherine dei Medici and the French Wars of Religion
For thirty years Queen Mother of France, Catherine dei Medici tried to pursue a middle way through the political and religious problems of the age.
Portrait of Catherine de Medici by François Clouet, c.1580. Walters Art Museum.
The year 1598 marked the conclusion of the four anarchic decades of French history known as the Wars of Religion. It ended an epoch in which France was the battlefield of the forces of Reformation and Counter-Reformation. Spanish, Swiss, German, Savoyard and English armies despoiled her countryside as well as native ones. The revolt of the Netherlands, and the duel between Spain and Elizabethan England, were closely linked with the alternating fortunes in France of Huguenots,