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Worth Watching: Raya and the Last Dragon & WandaVision Finale on Disney+, Coming 2 America, Wynonna s Last Stand | Entertainment

Worth Watching: Raya and the Last Dragon & WandaVision Finale on Disney+, Coming 2 America, Wynonna s Last Stand | Entertainment
ashleycountyledger.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from ashleycountyledger.com Daily Mail and Mail on Sunday newspapers.

Raya and the Last Dragon, featuring Disney s first Southeast Asian heroine, is a moving adventure

Raya and the Last Dragon, featuring Disney s first Southeast Asian heroine, is a moving adventure
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Movie review: Raya and the Last Dragon, featuring Disney s first Southeast Asian heroine, is a moving adventure

Justin Chang Los Angeles Times The chief antagonist in “Raya and the Last Dragon,” an enjoyable new adventure from Walt Disney Animation Studios, is something called the Druun, a shrieking, sludgy purple monster that turns people to stone. It’s an archetypal formless villain, a distant cousin of supernatural scourges such as the Nothing from “The Neverending Story,” but it also carries a whiff of real-world metaphor. No, the Druun isn’t the coronavirus, even if it does leave broken societies, devastated families and tribalist impulses in its wake. One character calls it “a plague born from human discord,” which is to say it’s yet one more crushing reminder that we have met the enemy and he is us.

Raya and the Last Dragon Review: A Thoughtful, Action-Packed Animated Epic

Kelly Marie Tran takes on her first lead role in Disney s Asian-inspired Raya and the Last Dragon

Brandon Yu March 4, 2021Updated: March 4, 2021, 3:47 pm Kelly Marie Tran (left, with Daisy Ridley in 2019’s “Star Wars: The Rise of Skywalker”) is the lead voice of the new Disney animated film “Raya and the Last Dragon.” Photo: Jonathan Olley, Lucasfilm Ltd. In 2018, months after Kelly Marie Tran had appeared onscreen in the latest installment of the “Star Wars” franchise, she wrote an opinion piece for the New York Times. It was at once a raw account of the quiet racism she had internalized growing up in San Diego as a Vietnamese American incidents mirrored by a wave of vitriolic online attacks directed at her amid her role in “The Last Jedi” and also a fiery, aggrieved stand against being shaped by such ugly experiences.

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