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William Mayer Gerard Schwarz Jo Ann Rice - William Mayer Voices from Lost Realms (16 tracks) +Album Reviews +Used CD available for Swap

News: Shriver Hall Concert Series Announces 2021-2022 Season

Image Credits (L-R): Miró Quartet by Jeff Wilson; Paul Lewis by Kaupo Kikkas; Danish Quartet by Caroline Bittencourt; Junction Trio by Shervin Lainez; Sasha Cooke by Stephanie Girard; Sheku and Isata Kanneh-Mason by Jake Turney; Pacifica Quartet by Lisa-Marie Mazzucco; Karen Slack by Kia Caldwell; Mahan Esfahani by Kaja Smith.   Featuring the Miró Quartet in a World Premiere by Caroline Shaw, Pianist Paul Lewis (Baltimore Recital Debut), Danish String Quartet (Baltimore Debut), Junction Trio (Baltimore Debut), Mezzo-Soprano Sasha Cooke (Baltimore Recital Debut), Sheku and Isata Kanneh-Mason, the Pacifica Quartet with Soprano Karen Slack (Baltimore Debut), and Harpsichordist Mahan Esfahani (Baltimore Debut)

REVIEW: Opera becomes a memorial for departed director

Igor Stravinsky (2/8) : Les Ballets russes, 1910-1913

Igor Stravinsky (2/8) : Les Ballets russes, 1910-1913 Programmation musicale Partager Copier le code d'intégration Au lendemain de la première de L’Oiseau de feu, le 25 juin 1910 au Palais Garnier, Igor Stravinsky est un homme célèbre. En quelques semaines, il rencontre tout ce que Paris fait d’artiste et de mondain : Debussy, Ravel, Manuel de Falla, mais aussi Sarah Bernhardt, Claudel, Giraudoux... Igor Stravinsky (à droite) en compagnie de l'impresario Serge Diaghilev à Séville en 1925, © Getty / Hulton Archive Et puis il y a les mécènes, qui littéralement se jettent sur lui – en un temps où l’essentiel des projets artistiques est financé par des donateurs privés ; et surtout des donatrices : la

Bryant Park Picnic Performances Continues With Adrienne Warren

Caroline Shaw Is Not Here To Save Classical Music

Caroline Shaw / Sō Percussion: Let the Soil Play Its Simple Part

Bandcamp / Buy Caroline Shaw’s itemized accomplishments are many: she’s composed celebrated works for vocal and string ensembles, helped to shape Kanye West’s The Life of Pablo, and in 2013, she won a Pulitzer Prize in music for Partita for 8 Voices, becoming the youngest person ever to do so. Though her definitive Partita is a stunning display of human voices in motion, Shaw has never been the lead vocalist herself on an album; she appears most often as a composer, violinist, or ensemble member. But with Let the Soil Play Its Simple Part, her second album of the year with the exploratory New York ensemble Sō Percussion, Shaw centers herself in a project that captures her earthy inspirations while flexing her capacity for sparkling compositions. Across 10 songs, Shaw gathers some common threads of her music—rhythm and air, literary inspirations, hymns—into a singular work that feels like a gentle invitation to listeners who may not yet recognize the strength of her combined powers.

Caroline Shaw Is Not Here To Save Classical Music

Caroline Shaw Keeps Classical Weird With 'Let The Soil Play Its Simple Part' : Deceptive Cadence : NPR

Caroline Shaw Is Not Here To Save Classical Music