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Whitney announces promotion of Adrienne Edwards to Director of Curatorial Affairs

Whitney announces promotion of Adrienne Edwards to Director of Curatorial Affairs Portrait of Adrienne Edwards; image by Bryan Derballa. NEW YORK, NY .-The Whitney Museum of American Art announced today that Adrienne Edwards, Engell Speyer Curator and Curator of Performance, is receiving a promotion to Director of Curatorial Affairs, effective July 1, 2021. By expanding her role, the Museum recognizes Edwards’s significant contributions to the Whitney and the broader field. In her new position as Engell Speyer Curator and Director of Curatorial Affairs, Edwards will hold a leadership role as part of the upper-level management team charged with strategic planning for the Museum. She will continue to direct the Whitney’s performance program and work closely with Scott Rothkopf, Senior Deputy Director and Nancy and Steve Crown Family Chief Curator, to oversee the operations of the Curatorial department and contribute to the formulation of the Museum’s artistic direction.

Wet Paint: David Zwirner Goes Downtown, Dealer Flips Amy Sherald Work He Pledged to Donate, & More Juicy Art-World Gossip

Wet Paint: David Zwirner Goes Downtown, Dealer Flips Amy Sherald Work He Pledged to Donate, & More Juicy Art-World Gossip Which Dia board member banned Succession from filming on site? What mega-collector partied late with the downtown crowd? Read on for answers. April 9, 2021 David Zwirner at left; at right, the future site of the gallery s Tribeca outpost. Photo courtesy Getty; photo by Nate Freeman. Every week, Artnet News brings you Wet Paint, a gossip column of original scoops reported and written by Nate Freeman. If you have a tip, email Nate at [email protected]   Regular Manhattan neighborhood of Tribeca, a place replete with wall-less lofts upstairs and tall-ceilinged storefronts downstairs. The appeal is obvious: As one neighborhood dealer said the other day, all the kids of the canonical contemporary art collectors on the

ART TALK: Julie Mehretu – A Decade of Printmaking at Gemini G E L in NYC at Tadias Magazine

ART TALK: Julie Mehretu – A Decade of Printmaking at Gemini G E L in NYC at Tadias Magazine
tadias.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from tadias.com Daily Mail and Mail on Sunday newspapers.

Darkness Visible: Paintings by Cy Gavin at the Aspen Art Museum

How much: Free More info: The museum is operating at a limited capacity due to the coronavirus pandemic. Make reservations for timed entry at aspenartmuseum.org During a site visit to Aspen in November 2020, as he prepared for his first U.S. solo museum exhibition at the Aspen Art Museum, the artist Cy Gavin made a trip to Glenwood Caverns, the natural marvel and tourist attraction in Glenwood Springs that stretches for subterranean miles. Cy Gavin’s “Untitled (NEOWISE),” 2021. Simon Klein/Aspen Art Museum Courtesy Photo Gavin, who grew up in cavern-pocked southeastern Pennsylvania, has long been interested in representing the darkness of an unlit cavern in his work. He’d previously drawn art world attention for paintings of nocturnal landscapes, but his idea for this Aspen show was different.

Amy Cutler - Isthmus | Madison, Wisconsin

Amy Cutler 6:00 PM March 9, 2021 © Amy Cutler, courtesy of Leslie Tonkonow Artworks + Projects, New York. Photo: Jeffrey Sturges. Amy Cutler, Trial, 2004. Opaque watercolor and graphite pencil on paper, 29 x 41-1/4 inches. Whitney Museum of American Art, New York. The Madison Museum of Contemporary Art has re-opened its galleries with limited hours (noon-6 p.m. on Fridays, Saturdays and Sundays) and social distancing rules in place. Through mid-May, the work of Amy Cutler is highlighted. Detailed drawings and prints of mostly women engaging in curious activities — from sewing stripes onto tigers to delivering elixirs while wearing boot-shaped wooden stilts form the heart of Cutler s provocative, illustration-like, narrative work. Reservations are not needed but a mask is.

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