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Wood Gaylor and American Modernism

Wood Gaylor and American Modernism HUNTINGTON, New York Subject Line Please provide verification code Email is invalid GAYLOR, (Samuel) Wood (American, 1883-1957) Arts Ball, 1918, 1918 Oil on canvas 27 x 45 in. (68.6 x 114.3) Private Collection Heckscher Museum On View January 23 to May 23, 2021, at The Hecksher Museum of Art Scenes of festive revelers, clowns and performers and his fellow artists are the signature subject matter of Wood Gaylor’s raucous paintings. Wood Gaylor and American Modernism includes two dozen artworks by Gaylor.  The artwork is interspersed with paintings, sculptures, and drawings from The Heckscher Museum’s collection representing artists that traveled in Gaylor’s social and artistic circles. 

Major new study celebrates the career and legacy of trailblazing artist and educator Luise Kaish

Major new study celebrates the career and legacy of trailblazing artist and educator Luise Kaish Frederick the Great, 1961. Bronze, 39 7/8 × 39 7/8 × 7 1/2 in. 101.3 × 101.3 × 19.1 cm. Collection, Smithsonian American Art Museum, Gift of Container Corporation of America. NEW YORK, NY .- Luise Clayborn Kaish (1925–2013) was a pioneer. A key figure in the New York art scene of the late 20th century, her multidisciplinary practice and process-oriented work spanned a range of mediums, materials, techniques, and themes. The strength and breadth of her work—monumental sculptures in bronze, oil paintings, watercolors, lithographs, collage—and the prestigious awards and fellowships she received set her apart as an early female leader in the visual arts. The publication Luise Kaish: An American Art Legacy celebrates her immense talent, highly individual point of view, far-reaching influence, pursuit of the sublime, and passion for life.

Exhibition of new work by Doug Aitken opens at Regen Projects

Exhibition of new work by Doug Aitken opens at Regen Projects Installation view of Doug Aitken Flags and Debris at Regen Projects, Los Angeles, January 16 – March 13, 2021 © Doug Aitken, Courtesy Regen Projects, Los Angeles. LOS ANGELES, CA .-Regen Projects is presenting Flags and Debris, an exhibition of new work by Los Angeles-based artist Doug Aitken. The works form an ecosystem of interconnected mediums, mixing dance, performance, film, sculpture, and handmade objects. Each plays off the other, creating a choreography of images, language, and sound. The exhibition comprises all new work conceived in the last 10 months, a time of profound change in the face of the pandemic. The body of work reflects the tension collectively felt between our isolation from the physical landscape of the exterior world and newly created spaces for turning inward to explore the subconscious landscape. At heart, the works are a portrait of a society moving toward the future.

Major new study celebrates the career and legacy of trailblazing artist and educator Luise Kaish

Major new study celebrates the career and legacy of trailblazing artist and educator Luise Kaish NEW YORK, New York Subject Line Please provide verification code Luise Clayborn Kaish (1925–2013) was a pioneer. A key figure in the New York art scene of the late 20th century, her multidisciplinary practice and process-oriented work spanned a range of mediums, materials, techniques, and themes. The strength and breadth of her work—monumental sculptures in bronze, oil paintings, watercolors, lithographs, collage—and the prestigious awards and fellowships she received set her apart as an early female leader in the visual arts. The publication celebrates her immense talent, highly individual point of view, far-reaching influence, pursuit of the sublime, and passion for life.

Pope L s new exhibition at Neubauer Collegium is shaped by COVID-19

My Kingdom for a Title, a new solo exhibition featuring work by Pope.L, an acclaimed artist and scholar in the University of Chicago’s Department of Visual Arts. On display through May 16, this is the first exhibition to be organized at the Neubauer Collegium gallery since the beginning of the COVID-19 pandemic. The global health crisis has unavoidably cast a shadow over the show’s conception and development; it contains allusions to the COVID crisis with a degree of directness that is unusual in Pope.L’s work, which is often elusive and ambiguous. Although the Neubauer Collegium gallery is temporarily closed to the public in accordance with University guidelines, a virtual tour of the exhibition will be available in February.

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