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The Chronicle s 2020 Stories of the Year | News
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Los que nos dejaron en la última década
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What will you remember the most about 2020? Better question:
Do you want to remember 2020? We can’t blame you if you don’t. It’s been a very bad year for many reasons. In the world of music, this year saw the widespread cancelation of concerts due to the COVID-19 pandemic and the deaths of many beloved musicians (including but not limited to Neil Peart, Andy Gill, Pop Smoke, Kenny Rogers, Joe Diffie, Bill Withers, Adam Schlesinger, John Prine, Florian Schneider, Tony Allen, Little Richard, Betty Wright, Vera Lynn, Ennio Morricone, Peter Green, Johnny Nash, Eddie Van Halen, Spencer Davis, K.T. Oslin, and Tony Rice.)
Rolling Stone How Dave Cobb Adapted to Pandemic Recording, Found Inspiration with a Bee Gee
Grammy-winning producer on recording Barry Gibb, why Dolly Parton made him nervous, and what to expect from Brandi Carlile’s next LP
By Becky Fluke
Dave Cobb has a tradition for welcoming artists he’s producing to RCA Studio A. When they first set foot in the Nashville studio, he runs through a litany of the greats who’ve previously recorded there. Dolly Parton threw a wrench in that routine when she arrived to sing “Words” for Barry Gibb’s new album
“One of the things that is always fun to say is, ‘This is where Dolly did ‘Jolene’ and ‘I Will Always Love You, ” Cobb says. “But Dolly is right there in the same spot and she goes, ‘This is where I did ‘Jolene’ and ‘I Will Always Love You.” She’s giving the tour and reminiscing: ‘This is the way we used to do it. ”
The crowning glory is Swift’s version of I Contain Multitudes, from Dylan’s new album Rough and Rowdy Ways. “It’s a love song, and a prayer,” she said of the song. “And it’s about his life, but it’s also about what art and music and literature can mean to humanity. And to me that’s an extraordinary thing to meditate on, particularly when our social interactions are so limited.” All of the above could be said of Blonde on the Tracks itself.
– Andrew Stafford
The Avalanches – We Will Always Love You
We Will Always Love You is a miraculous-sounding record, infatuated with the universe and the infinite nature of energy, light and – especially – sounds that echo in the void for eons. Sample-based music is inherently tactile; artists like the Avalanches pick up and tool around with old vinyl that’s traded hands before. And on this record, they’ve leaned into that tactility and the sensoriality of music, turning images into sound and back again (Star Song
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