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The Weeknd Sees Kids in His Future

The Weeknd Sees Kids in His Future Welcome to PopCrush s Daily Break! Here s a breakdown of today s hottest pop culture and lifestyle stories as heard on PopCrush Nights, airing across the country. Check out The Weeknd s family plans, DaBaby s too-little, too-late apology and more, below. The Weeknd Sees Kids in His Future Singer The Weeknd says that he is set on having kids. He told GQ that while he sometimes says he does t want his own kids and might have said otherwise in the past, he knows that on the inside he sees himself with kids and that they will inspire him in his career even more. (via

Iowa State Fair Grandstand: Looking back at Dolly Parton s 1977 show

Iowa State Fair Grandstand: Looking back at Dolly Parton s 1977 show
amestrib.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from amestrib.com Daily Mail and Mail on Sunday newspapers.

The Weeknd Sees Kids in His Future

The Weeknd Sees Kids in His Future
mix941kmxj.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from mix941kmxj.com Daily Mail and Mail on Sunday newspapers.

The Weeknd Sees Kids in His Future

The Weeknd Sees Kids in His Future
club937.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from club937.com Daily Mail and Mail on Sunday newspapers.

Dolly Parton invested royalties from Whitney Houston s I Will Always Love You in Black community

Updated August 2 increase font size Dolly Parton invested royalties from Whitney Houston’s ‘I Will Always Love You’ in Black community Fueling the investment was the multimillion-dollar payday she earned from Houston s cover of one of Parton s most successful songwriting credits. By Kim BellwareThe Washington Post Read Article In a catalogue that runs deep with hits, “I Will Always Love You” stands as one of Dolly Parton’s most successful songwriting credits, a tune that became a global phenomenon when it was covered by Whitney Houston for the 1992 film “The Bodyguard.” Parton, who is estimated to have earned millions of dollars in royalties for writing the song in 1973, revealed this week how she spent her money from the songwriting credit for Houston, who died in 2012: She invested in a building located in a historically Black Nashville neighborhood.

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