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Mank: 10 Historical Figures From David Fincher s Netflix Movie Explained

CinemaBlend I imagine that many of those who had anticipated the December 4th premiere of Mank were especially excited to see the long-awaited return of David Fincher to feature-length filmmaking. I would also hope that most of the film’s biggest champions had seen Citizen Kane or at least had some knowledge of its place in cinematic history. I would not be surprised, however, if the title role of Herman Mankiewicz, portrayed by Gary Oldman, is someone many had never heard of before. In fact, I would understand if most featured characters in the Netflix original biopic were strangers to anyone without a distinct familiarity for Hollywood’s Golden Age.

Who wrote Citizen Kane ? It s no mystery

Ben Kenigsberg, The New York Times Published: 13 Dec 2020 10:22 AM BdST Updated: 13 Dec 2020 10:22 AM BdST Gary Oldman, centre, as the title character in “Mank,” with Adam Shapiro, left, and Joseph Cross. The film argues that Orson Welles had little to do with the screenplay. Netflix “Mank,” the new drama from David Fincher, revives an old charge against Orson Welles. Was Welles, who with “Citizen Kane” (1941) created what is often cited as the greatest movie ever made on his first try, actually standing on the shoulders of another genius? ); } The movie, streaming on Netflix, dramatises the writing of “Citizen Kane” through the eyes of Herman J Mankiewicz, who received top billing on the shared screenplay credit with Welles. The film focuses on the period when Mankiewicz wrote what became a 300-page doorstop called “American,” partly drawing on his own experiences as a dinner guest of William Randolph Hearst, the newspaper tycoon and inspiration for

Original Content podcast: David Fincher presents a compelling character study in Mank – TechCrunch

Original Content podcast: David Fincher presents a compelling character study in ‘Mank’ “Mank” is a change of pace for director David Fincher instead of exploring the world of startup backstabbing (“The Social Network”), political backstabbing (“House of Cards”) or actual stabbings (“Seven,” “Zodiac,” “Gone Girl,” “Mindhunter” etc.), Fincher takes us back to ’30s and ’40s Hollywood. Working from a script by Fincher’s late father Jack, the movie is shot and edited to pay homage to the classic studio films of that era especially “Citizen Kane,” whose co-writer Herman Mankiewicz (played by Gary Oldman) is the “Mank” of the film’s title.

DEJA VIEW: Mank full of loose ends | Lifestyles

I was jazzed. One of the films I had been excited about was being released on Netflix: “Mank” about the development of Orson Welles’ “Citizen Kane” and its screenwriter, Herman J. Mankiewicz. It has a great cast: Gary Oldman, recent Oscar winner for playing Winston Churchill, in the title role as screenwriter Herman J. Mankewicz, Charles Dance, Amanda Seyfried and Lily Collins, et al. David Fincher (“The Girl with the Dragon Tattoo,” “Gone Girl” and “Fight Club”) directed. But then Fincher, because it takes place in the ’30s, decided to film it in black and white, just to give it a little atmosphere. And, oh, let’s speed up the reel a bit, give it that jerky early 20th century movie feel. Even that would have put me over the edge. But then he had to go and flip scenes with changing time tables back and forth during Mank’s busiest decade in Hollywood. I thought at times that I was watching an old Keystone Cops flic

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