‘Virtual Platforms Made it Possible’: The Indian Film Festival of Cincinnati The largest Indian film festival in the state of Ohio
The Indian Film Festival of Cincinnati is the only Indian film festival held in Ohio. Organized and hosted by the India Cincinnati Sister cities in collaboration with the Art Museum, the festival premiers feature, documentary and short films made in and about the South Asian subcontinent or its peoples. It just finished a successful virtual run from October 15 to November 1.
Ratee Apana, executive director of the Indian Film Festival of Cincinnati, talks to Uma da Cunha about her journey in introducing Indian cinema to her local film aficionados.
Culture Couch
Culture Couch. Have a seat.
It’s stories about creativity – told through creative audio storytelling.
From Broadway musicals to youth theatre, and graphic novels to graffiti, you’ll meet artists from across the region. We hope you’ll join us for the journey.
Support for Culture Couch comes from WYSO Leaders Frank Scenna and Heather Bailey, who are proud to support storytelling that sparks curiosity, highlights creativity and builds community.
Fig. 1.
The Whistling Boy by Frank Duveneck (1848–1919), 1872. Initialed and
dated “FD [in monogram]. Munich. 1872” in monogram at lower left. Oil on canvas, 27 7/8 by 21 1/8 inches.
Cincinnati Art Museum, Ohio, gift of the artist; all photographs courtesy of the Cincinnati Art Museum.
Although it would be foolish to suggest that the influential and wildly productive Jean-Léon Gérôme is lost to history, it is safe to say that the great academician is perhaps less widely known today than his students Thomas Eakins and Mary Cassatt. And while it would be equally foolish to suggest that Frank Duveneck is but a footnote to his more recognizable students, such as John Henry Twachtman, the Kentucky-born artist is not the name he was in his day. Reviewing a 1972 show at Manhattan’s Chapellier Galleries, critic John Canaday described Duveneck as “a painter who promised to establish a major position in American art but stopped halfway through his career and settled for a mi
Double take: A closer look at American bronze sculpture Editorial Staff
The Magazine ANTIQUES November 2006.
Bronze sculpture made in the United States between 1845 and 1945 was little studied and largely undervalued until it began to attract interest in the early 1980s. It now continues to gain attention from scholars, museum curators, and collectors. Broadening scholarship has brought recognition to the variety, quality, and importance of this field of American art, just as the market value of sculpture continues to rise. What is lagging behind this expanding appreciation by the public and in the marketplace is connoisseurship. This article is intended as a primer on how to look critically at bronze casts in order to judge them for quality and authenticity.
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