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We Are All Related: Artists, Writers, and More Share Wishes for 2021 | Magazine

Contributors to Magazine share their wishes for 2021, from honest reckonings to immortality. Dec 29, 2020 As we leave a very difficult 2020 behind, we’re grateful to have had so many incredible voices as part of Magazine, and for the places their words, ideas, images, and music have taken us. We asked some of our contributors to share a wish for 2021 in a form of their choosing; something they’re looking forward to, something they hope for, or something they’d like to see. Their responses below show the connections we still find through art and the uninhibited dancing in a crowd we still seek.

Arlene Dávila: A national museum for Latinos is long overdue

Arlene Dávila: A national museum for Latinos is long overdue (Librado Romero | The New York Times) Pepón Osorio was one of many Latinx artists who began their career exhibiting in museums like El Museo del Barrio. By Arlene Dávila | For The New York Times   | Dec. 26, 2020, 1:30 a.m. On Monday, Congress authorized the creation of a Latino museum as part of a $2.3-trillion year-end spending bill. This is long overdue. For decades, activists have been fighting to establish a Latino museum on the Washington Mall. Its creation is essential to documenting the community’s contribution and to the education and future of all Americans.

The Studio Museum in Harlem s annual Artist-in-Residence exhibition on view at MoMA PS1

The Studio Museum in Harlem s annual Artist-in-Residence exhibition on view at MoMA PS1 This Longing Vessel: Studio Museum Artists in Residence 2019–20, MoMA PS1 December 10, 2020–March 14, 2021. Photo: Kris Graves. LONG ISLAND CITY, NY .- The Studio Museum in Harlem’s annual Artist-in-Residence exhibition is on view at MoMA PS1, moving this presentation outside the Studio Museum’s walls for the second time as part of a multiyear partnership with the Museum of Modern Art and PS1. This Longing Vessel features new work by the 2019–20 cohort of the Studio Museum’s signature residency program—artists E. Jane (b. 1990, Bethesda, MD), Naudline Pierre (b. 1989, Leominster, MA), and Elliot Reed (b. 1992, Milwaukee, WI)—whose artistic practices span new media, performance, and painting. With a title that suggests radical intimacy, a vessel to hold and to be held by, this exhibition presents the intersection between queerness and Blackness as a waypoint to yearn from, reach toward,

Opinion | A National Museum for Latinos

A monument highlighting our contributions may finally become reality. By Arlene Dávila Ms. Dávila is the author of “Latinx Art: Artists, Markets, and Politics,” which explores the lack of visibility for Latinx art and artists at institutions. Dec. 22, 2020 Pepón Osorio was one of many Latinx artists who began their career exhibiting in museums like El Museo del Barrio.Credit.Librado Romero/The New York Times On Monday, Congress authorized the creation of a Latino museum as part of a $2.3-trillion year-end spending bill. This is long overdue. For decades, activists have been fighting to establish a Latino museum on the Washington Mall. Its creation is essential to documenting the community’s contribution and to the education and future of all Americans.

MoMA opens Garrett Bradley s first solo museum exhibition in New York

MoMA opens Garrett Bradley s first solo museum exhibition in New York Installation view of Projects: Garrett Bradley, The Museum of Modern Art, New York, November 21, 2020 – March 21, 2021. Digital Image © 2020 The Museum of Modern Art, New York. Photo by Robert Gerhardt. NEW YORK, NY .-The Museum of Modern Art is presenting Projects: Garrett Bradley, the artist’s first solo museum exhibition in New York, in the Museum’s street-level galleries from November 21, 2020, through March 21, 2021. This exhibition, presented as part of a multiyear partnership between The Museum of Modern Art and the Studio Museum in Harlem, features a multichannel video installation, America (2019), a work organized around 12 short black-and-white films shot by Bradley and set to a score by Trevor Mathison and Udit Duseja. Among her original short vignettes, Bradley intersperses footage from Lime Kiln Club Field Day, an unreleased 1914 film believed to be the oldest surviving feature-length film with

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