Camera Upgrades for Remote Streaming Production
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Anthony Burokas: Let s talk remote cameras, because when your guest is remote, the camera is remote too. So, obviously, for remote cameras, we have the built-in webcams in laptops and some desktop computers and all-in-ones. And, generally, these aren t very good. We all know how bad they look. The resolution is 720p, if that, and the camera itself is not great. It s easily washed out if you ve got lighting behind you, or if there s a window to the side. If somebody puts all the windows behind them, you really have no hope unless you want to have a shadow as a guest.
Camera Upgrades for Remote Streaming Production Camera Upgrades for Remote Streaming Production As Zoom and other videoconferencing applications dominate our professional interactions, and remote productions and presentations remain a necessary alternative in-person conferences and other events, webcam video is often the weakest link in our remote connections. Anthony Burokas recommends alternative camera sources smartphones, DSLRs, and better webcams and explains how to make them work. Page 1
Read the complete transcript of this clip:
Anthony Burokas: Let s talk remote cameras, because when your guest is remote, the camera is remote too. So, obviously, for remote cameras, we have the built-in webcams in laptops and some desktop computers and all-in-ones. And, generally, these aren t very good. We all know how bad they look. The resolution is 720p, if that, and the camera itself is not great. It s easily washed out if you ve got lighting be
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Sara Fischer: We re forced to work from home. I think everyone else here was. And so our video operations turned remote into our homes, some of our podcasts operations did as well. But I think the biggest impact that this had for us was that it really pushed a lot more companies that buy ads to focus more of their ads on the great things they do for the world, as opposed to just selling products. And that helped Axios because we have a really strong reach into decision makers and policy makers, and people want to use Axios to reach those people with those messages.
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Colleen Kelly Henry: If you have your own data centers and your own infrastructure team, it s entirely possible that you re rolling out a codec on a smaller project, where there is no ROI necessarily because not even monetized, but then all of that engineering work can be reused later in other products. What I do I look at currently is that basically there s a support matrix of decoder capabilities, from mobile devices, Android iOS for me Oculus Quest 2, browsers, yada yada, yada. And from there you break down things into as granular levels of understanding as possible.
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Steve Nathans-Kelly: On the production side, which is obviously something that s changed almost as dramatically as the audience experience for live events, as production moves out of the studio and into remote locations, how do you maintain visibility and control over remote production and cloud-based workflows?
Eric Bolten: We certainly saw a lot of that as we went into 2020 in the pandemic, and I would say that, live production and live control were always slated to virtualized, but it was going to take a lot longer. Then that had to happen overnight. You saw some emergency things people trying to use Zoom in a variety of fashions. But now we ve seen the media and entertainment business in a very steady and now accelerated virtualization mode. You use different data rates like do take in very large streams in chunks, and sometimes it s in strange protocols like NDI, and the idea that you