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Christine Garnier | Smithsonian Voices | Smithsonian Institution Office of Fellowships and Internships

Author: Christine Garnier Christine Garnier is a Ph.D. candidate in the History of Art and Architecture at Harvard University and was a Smithsonian Institution Predoctoral Fellow at the Smithsonian American Art Museum, during the 2019-2020 academic year. She holds a B.S. in mathematics from the Catholic University of America and an M.A. in Art History from Tufts University. Her dissertation, titled “Amalgamating the West during the American Silver Age,” focuses on the material histories of silver objects created during the rise of mining in the American West during the nineteenth century, and the importance of bringing the social, political, and ecological histories of these lands into art historical dialogs. She is currently a Wyeth fellow at the Center for Advanced Study in the Visual Arts (CASVA) at the National Gallery of Art (2020-2022).

United statesChristine garnierCatholic university of americaHarvard universitySmithsonian institution predoctoralSmithsonian american art museumNational gallery of artTufts universitySmithsonian institution predoctoral fellowCatholic universityArt historyAmerican silver ageAmerican westAdvanced studyVisual artsNational gallery

Des Moines Art Center to present The Path to Paradise: Judith Schaechter s Stained-Glass Art

1/29/2021 On Saturday, February 13, the Des Moines Art Center will open The Path to Paradise: Judith Schaechterâs Stained-Glass Art. Organized by the Memorial Art Gallery of the University of Rochester, the exhibition will be on view in the Anna K. Meredith Gallery through May 23, 2021. The Art Centerâs presentation of the exhibition is overseen by Curatorial Manager Laura Burkhalter. The Path to Paradise: Judith Schaechterâs Stained-Glass Art is the first survey and major scholarly assessment of this groundbreaking artist’s 37-year career. From her start in the 1980s, Judith Schaechter (b. 1961) has stretched the medium of stained glass into an incisive art form for the twenty-first century, boldly paving her path in the diverse arena of contemporary art. With deep respect for history, a provocative rebelliousness and a feminist sensibility, Schaechter has aptly been called a âpost-punk stained-glass sorceress.â Her meticulous and awe-inspiring stained-g

United statesMuseum of artJudith schaechterMargaret davis friedlichMarguerite quinnLaura burkhalterMary buchanAnnak meredithMarion swett robinsonArt centerKayser fundDes moines art centerLouis comfort tiffany foundation awardCorning incorporated foundationPhiladelphia museum of artArt alliance for contemporary glass

How to Look at Robert S Duncanson s Landscape With Rainbow - Slog

To the left, a farmer and his wife stroll across a field, their dog trailing behind. Cattle graze ahead of the couple as a farmhouse, nestled amongst the scene s greenery, is just barely visible in the background. These figures are swallowed up by nature, which is abundant and calm as a rainbow arches over the scene. It s pretty fucking bucolic. The painting titled Landscape with Rainbow by Robert S. Duncanson had its moment in the sun recently when none other than Sen. Roy Blunt (R-Missouri) presented the piece to the President and Dr. Biden on Inauguration Day. Traditionally, the inaugural painting would serve as a backdrop at the Senate Inaugural Luncheon but was instead awkwardly presented to the First Couple on their gift quest through the Capitol building.

United statesWhite houseDistrict of columbiaRoberts duncansonAntwaun sargent sirsargentSmithsonian american art museumCourtesy of the smithsonian american art museumSenate inaugural luncheonSmithsonian american artRoy bluntFirst coupleAfrican americanAntwaun sargentCivil warPresident bidenFirst lady

Michael J Sandel | Lapham s Quarterly

00:00 Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. “The problem with meritocracy,” political philosopher Michael J. Sandel writes in his book The Tyranny of Merit, “is not only that the practice falls short of the ideal. If that were the problem, the solution would consist in perfecting equality of opportunity, in seeking a society in which people could, whatever their starting point in life, truly rise as far as their efforts and talents would take them. But it is doubtful that even a perfect meritocracy would be satisfying, either morally or politically.”

Carolann smurthwaiteGeorge elbert burrMichaelj sandelLewish laphamCaroline atherton connell smurthwaiteSmithsonian american art museumEton collegeCaroline atherton connellகரோலன் ஸ்மூர்த்திவைதேஜார்ஜ் எல்பர்ட் பர்கரோலின் ஏதெர்டன் இணைத்தல் ஸ்மூர்த்திவைதேஸ்மித்சோனியன் அமெரிக்கன் கலை அருங்காட்சியகம்ஈடன் கல்லூரிகரோலின் ஏதெர்டன் இணைத்தல்

A closer look at Robert Duncanson, the Black landscape artist behind the inaugural painting presented to the Bidens

A closer look at Robert Duncanson, the Black landscape artist behind the inaugural painting presented to the Bidens
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